A Quote by Virgil Green
Where I trained at in Florida, though, they didn't have Jack in the Box. There were a couple of nights where they were all I could think about. But, it worked out for me at the combine. It paid off.
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Even though novels were the love of my life, I started off writing poetry. I think because I had a knack for image and lyricism, even though I didn't really have anything to write about, or I didn't know what to write about. I could just couple words together that pleased me and so poetry seemed sort of natural.
The dumbest women I hooked up with were in Florida. I lived in Florida for a year... and it was just shocking. I literally felt like after living there for a couple months that I had become stupider. It was unbelievable. If you read the stories on my site that are based around crazy women, about 75 percent of those women were in Florida? and I only lived there for a year.
When I worked with General Electric, again this was soon after the Second World War, you know, I was keeping up with new developments and they showed me a milling machine and this thing worked by punch cards - that's where computers were at that time, and everybody was sort of sheepish about how well this thing worked because in those days machinists were treated as though they were great musicians because they were virtuosos on these machines.
We had some rough times in TNA. We had some pay issues, and this and that, they were some other issues. But at that time, we were working harder than we ever worked. Even though, you know, we were being paid late and all, we worked harder than we worked before.
The atmosphere in the newsroom could be pretty poisonous. When I arrived, the people who worked on the 'Six' were sitting there slagging off what had gone out on the 'One.' I thought: 'What is this place? And what are you saying about me?'
I could never be Charlie Chaplin. But the films that were made by people like him, or Gene Wilder, or John Candy, the people that inspired me so much were the people that were able to combine humor with heartbreak so beautifully and fluidly. Those films I think were what inspired me to want to come to L.A. and audition for movies.
It is we ourselves that we have to think about, no one else. That is the way the saints worked. They paid attention to what they were doing, and if others were attracted to them by their enterprise, why, well and good. But they looked to themselves first of all.
For many of us, the hospital was as much a refuge as it was a prison. Though we were cut off from the world and all the trouble we enjoyed stirring up out there, we were also cut off from the demands and expectations that had driven us crazy. What could be expected of us now that we were stowed away in a loony bin?
I feel like the inspiration is that I've managed to change my songwriting over the past couple of years and also production styles. I could get a sense of what really worked well, and I think this sound developed naturally. That's what happens when you're doing it all the time and changing as a person. Some songs were really dark, and others were more psychedelic. It was useful to have that to figure out exactly what I wanted to do.
Obama's primary constituency was financial institutions. They were the core of the funding for his campaign. They expect to be paid back. And they were. They were paid back by coming out richer and more powerful than they were before the crisis that they created.
I spoke at, I think, four of the Trump rallies that were in Florida, and these were not highly coordinated events. I would often learn of the program of one of these events just a day or so before the event itself. That seems to evidence the point that these were not people off colluding with Russia.
Though my parents were professionals and expected me to go to college, they were immigrants from India with no idea about how the admissions process worked in the United States or the importance of standardized tests.
My dad worked nights mostly and while we were growing up, and my mother also worked, so there were times where, when it was just the two of us at home, and, you know, they gave us a pretty long leash, actually.
The idea that you waited for that particular issue to come out, but then you planned your TV viewing for the coming season, it was a completely different world. And I grew up in Fort Lauderdale, so there was a TV critic writing for the Miami Herald, Jack Anderson, that was very influential. Just to read, every morning, somebody who cared about TV as much as I did - they were an adult, and they were clearly being paid for it. That was an "a ha!" moment for me before I was even 10.
I have some fond memories - a couple of the nights on the town ... a couple of songs I wrote when I was messed up that I'm sure wouldn't have come out of me unless I was messed up. It's kind of happy-sad about those days - I could do anything I wanted to. I did. And now I don't want to do any of that.
I remember one afternoon when we were out on a golf course somewhere, and Lauren Bacall, James Garner, and Jack Lemmon were sitting there in deck chairs when I went off to do another scene. And I said something like, "Hey, where have you guys been?" And they said, "Oh, we were down at the clubhouse. We saw your scene!" And Jack Lemmon looked at James Garner, and James Garner looked back at me, and then they both looked back at me and said in unison, "You bet your ass it is!" So I've been up there with the greats. I've had my fleeting moments with theatrical genius.
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