A Quote by Virender Sehwag

Once I took to Twitter and shared those jokes, they became a huge hit. My following grew, and some of the posts got thousands of retweets. With so many shares, money from sponsors followed.
When 'I'm Sorry' came out and became such a huge hit, that made 'Rockin' Around The Christmas Tree' start selling. Then that became a huge, huge hit.
The most important thing is readers. I've got a huge Twitter following, but I don't really think it sells books; I don't think a huge Facebook following sells books - although these things aren't bad, of course.
People are fans of Dunkin' Donuts. They have a relationship with the company, they go there every day. Dunkin' Donuts is using Twitter to communicate with those people. There are people who are finding value in that. There's thousands of people, I don't know how many thousands now, following Dunkin' Donuts.
I felt like if I said something positive on Twitter, it got no play. But if I said something negative on Twitter, it was a billion retweets and so that was giving me a Pavlovian response to be mean, and I don't want to be mean. We all have mean thoughts. They should not be broadcast on Twitter. You don't need to see mean things.
I got live tweeted once by someone who was opposite my home in some rented accommodation. He was actually describing on twitter what I was doing. 'I took a shirt off, I went to the window, I put a shirt back on... ' And I've got blinds in my flat!
The corporate media is there to push the agenda of the sponsors, and many of those sponsors are weapons manufacturers. So it stands to reason that you won't get a diversity of opinions on television.
I was on Facebook. I was on MySpace. And somebody said to me, You should check out this thing called Twitter. I knew five people that were on it, so I started following those people and seeing what they were doing, and then I applied my own sensibility to it. The more that I shared, the more people started following me.
'Never Gonna Give You Up' in 1987 was a huge international hit followed by several more, and while I appreciated how lucky I was, it catapulted me into a completely new world and simply took over my life.
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
Once I started getting serious about standup I got a better handle on word economy and making jokes punchier, which translated well to Twitter.
By the time I got the notoriety to get bigger sponsors, the sponsorship tax had already taken effect, but I still had some pretty lucrative sponsors.
I put out some very entertaining material on social media! Check my Instagram, Twitter, and Snapchat! I got jokes for days!
I feel like you can share as many jokes as you want to because no joke you do on Twitter is ever gonna be so big on Twitter, for the most part, that you can't say it on stage that same night.
I got Twitter like two months ago, checked it out a bit more, and I concluded the only thing Twitter I'm interested in following is Nick Stoller.
How many leaps did Nijinksy take before he made the one that startled the world? He took thousands and thousands and it is that legend that gives us the courage, the energy, and arrogance to go back into the studio knowing that while there is so little time to be born to the instant, you will work again among the many that you may once more be born as one. That is a dancer's world.
We don't have any kind of sponsors. The players invest themselves. They need money. They need resources... That's why, in sports and teams, they have sponsors - in soccer, in the NFL. Everyone has sponsors who invest and help to pay daily expenses.
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