A Quote by Virginie Ledoyen

You're always compared to someone, especially when you're a French actress. — © Virginie Ledoyen
You're always compared to someone, especially when you're a French actress.
I just feel at Paris, I will have more chances compared to Madrid. I'm French and I choose a French team. People must be happy to keep a French player in the league.
I've done many, many French movies and many, many English movies. I think it frees something when you don't talk in your mother language, but I also think you withdraw something as well. I'm a French actress, and sometimes I speak in English-speaking roles. For me, being an actress was always being a traveler. It goes together.
There are reports that French President Francois Hollande had an affair with an actress who is 18 years younger than him. It's pretty serious. Under French law, he could face up to 30 high fives.
I don't like being compared to anyone or being in a class with someone. I'm a teen actress and therefore I'm competing against Hilary Duff. We're different people like everyone else.
Each of us is incomplete compared to someone else - an animal's incomplete compared to a person... and a person compared to God, who is complete only to be imaginary.
The problem with comparison is that you always feel either better than someone else or worthless compared to someone else.
I'd rather be thought as an international actress rather than a French one. Because I don't know what's coming up for me, my ambition is not to be typecast. So I'm working on my English accent, as well as my American one. I don't want to be like 'Okay, I'm French, and I want to succeed in Hollywood!'
I'm always fetishizing the French woman and French taste and style. My assistant will make fun of me because every time we're picking the direction of a collection, I say the same thing: 'I want it to be really French.'
I've never felt like a French actress.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.
When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
The number of those who have to be assimilated to the majority is not too high. It remains small compared with the numbers of the majority. But there is one thing - and that is the main reason for this digression - that French and British have in common: to this day they have an immense pride in being French, in being British. The fact that in the meantime both have come down to earth a little has not yet affected their pride in their own nationality and the fact that, if I may express it that way, they are mutual admiration societies: how fine the British are, how fine the French are.
I had always studied French and was obsessed with French films. I hated the way American films always had happy endings. I liked the way French films had dark and unpleasant characters; it was much more realistic.
I was a dancer before I was an actress, so I've always been someone who likes to communicate from my body and movement.
I didn't aspire to be just a celebrity; I aspired to be an actress... I always wanted to be respected as someone who knew their craft.
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