A Quote by Witold Gombrowicz

I could have protested of course, who says I couldn't--I could have risen to my feet at any moment, walked up to them, and--no matter how difficult it would have been--made it abundantly clear that I was not seventeen but thirty. I could have--yet I couldn't because I didn't want to, the only thing I wanted was to prove that I was not an old-fashioned boy!
If history could prove and teach us anything, it would be the private ownership of the means of production as a necessary requisite of civilization and material well-being. All civilizations have up to now been based on private property. Only nations committed to the principle of private property have risen above penury and produced science, art, and literature. There is no experience to show that any other social system could provide mankind with any of the achievements of civilization.
There is an old story about the boy at Eton who committed suicide. The other boys in his house were gathered together and asked if any of them could suggest a reason for the tragedy. After a long silence a small boy in the front put up his hand: 'Could it have been the food, sir?
I didn't want a pickup with mud tires. I wanted an old blazer with as many speakers in the back as I could afford. I would even steal them out of my brother's car and pack them in there. I remember sitting in a parking lot and turning my radio up and walking down the street to see how far you could feel it.
If memories were indeed like what a camera records, they could be forgotten, or they could fade so that they are no longer clear and vivid. But it would be difficult to explain how people could have memories that are both clear and vivid while also being wrong. Yet that happens, and it is not infrequent.
And I could see this boy doing his homework and thinking about my sister naked. And I could see them holding hands at football games that they do not watch. And I could see this boy throwing up in the bushes at a party house. And I could see my sister putting up with it. And I felt very bad for both of them.
The old-fashioned idea that the simple piling up of experiences, one on top of another, can make you an artist, is, of course, so much rubbish. If acting were just a matter of experience, then any busy harlot could make Garbo's Camille pale.
You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
What I could really use is an older man. A mentor. One who could tell me how things fit together. He would have asked me to do chores that I felt were meaningless. I would have been impatient and protested, but done them nonetheless. And eventually, after several months of hard labour, I would have realised that there was a deeper meaning behind it all, and that the master had a cunning plan all the time.
You could walk the streets, no matter how hungry people were, not matter how long theyd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
So you didn’t tell me it was a messed-up idea to keep this all a secret because. . .” “Because experience is the only teacher,” Hey-Soos says. “Even if I could have told you, it would have been a lecture. Why do you think kids don’t listen to their parents, or people don’t leave churches and do what the preacher tells them? There’s only one thing that’s universal.” “What’s that?” “The truth.
We had the sky up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss about whether they was made, or only just happened - Jim he allowed they was made, but I allowed they happened; I judged it would have took too long to make so many. Jim said the moon could a laid them; well that looked kind of reasonable, so I didn't say nothing against it, because I've seen a frog lay most as many, so of course It could be done.
I could learn photography. That could be something to want. I could photograph children. I could have my own children. I would give them yellow roses. And if they got too loud, I would just put them some place quiet. Put them in the oven. And I would kiss them every day, and tell them you don't have to be anybody, because I would know that being somebody doesn't make you anybody anyway.
I knew I didn't want to pursue an academic career at all, which, of course, my father would have loved me to have done. I didn't want to go to university. The only other thing I could do was paint, and so I went to art school because they couldn't conceive of how one would be an actor.
The only thing I could see myself doing is music - songwriting or producing or something. I've never seen myself being in any other business, I've been working in this one since I was 5 years old! I could do other things, but I wouldn't want to.
Of course it hurt that we could never love each other in a physical way. We would have been far more happy if we had. But that was like the tides, the change of seasons--something immutable, an immovable destiny we could never alter. No matter how cleverly we might shelter it, our delicate friendship wasn't going to last forever. We were bound to reach a dead end. That was painfully clear.
I wanted to prove that I could do something, so I made a short film. That was in fact my main concern, to be able to show that I could do one.
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