A Quote by Vladimir Nabokov
You know, what's so dreadful about dying is that you are completely on your own.
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My Lolita remarked: "You know, what's so dreadful about dying is that you are completely on your own"; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling's mind and that quite possibly, behind the awful juvenile cliches, there was in her a garden and a twilight, and a palace gate - dim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions.
I either want to be completely recovered or completely emaciated. It's the in between that I can't stand, the limbo of failure where you know that you haven't done your best at one or the other: dying or living.
You might say, 'What a dreadful day', without realizing that the cold, the wind, and the rain or whatever condition you react to are not dreadful. They are as they are. What is dreadful is your reaction, your inner resistance to it, and the emotion that is created by that resistance.
There are some things too dreadful to be revealed, and it is even more dreadful how, in spite of our better instincts,we long to know about them.
When it is working, you completely go into another place, you're tapping into things that are totally universal, completely beyond your ego and your own self. That's what it's all about.
When you hold things back, when you don't commit completely to your ideas and trust completely in your own instincts, you are guaranteeing your own failure - even if you end up having commercial success.
My life is about my journey, and your life is about your journey. You are completely unqualified to draw my map, and I am completely unqualified to draw yours. I hope you'll let me know all about the path you've found, so that I may judge it for myself against my own path, and have the freedom to choose between the two. But please don't try and drag me from my path on to yours, and I will be sure to return the favor.
Find your own Calcutta. Find the sick, the suffering and the lonely right there where you are in your own homes and in your own families, in your workplaces and in your schools. You can find Calcutta all over the world, if you have the eyes to see. Everywhere, wherever you go, you find people who are unwanted, unloved, uncared for, just rejected by society completely forgotten, completely left alone.
I've played an awful lot of people that other people would call villains, but that isn't a very helpful attitude to have if you're about to play them. They are just people, and they may do dreadful things and say dreadful things, but your job as an actor is to know why they do them or say them.
When a significant other - a spouse, a parent or someone you're close to - is dying, it forces you to think about your life, about what you feel about death. What I realized from my dad's dying was that I wasn't scared of dying. But I was terrified of regrets. I was terrified of getting to the end of my life with a lot of Why didn't I's.
If you stepped out of bounds, or you stepped out of your tumbling path and didn't stick it. By the time you're done, you can count your own damn deductibles to know what your score is about to be. But this is completely different, it's so subjective. There are so many variables that don't make sense. You can't quantify someone's emotional connection to what you feel.
When great loss happens - deaths close to you or your own approaching death - this is an opportunity for stepping completely out of identification with form and realizing the essence of who you are, or that the essence of anyone who is suffering or dying is beyond death.
That's what I love about songwriting - that you can write something about your own experiences and think it's completely specific to you, and then people can take away a completely different meaning for themselves. I really love that. I think you've been successful at writing a song when it has a larger life than yourself.
I think it is very important to know that we are going to die. Now we refuse the fact of dying. There was once serenity in dying where you had all your children around you in a ceremony and would utter your last words with something like, 'I love the sky'.
I found working in the lab is so completely different than reading a textbook about it. You know, you're planning strategies; you're working with your own hands. There's essential satisfaction in running experiments.
You don't know how to take off your suit of armor. You have no idea how to conduct yourself without the reference point of your own security... You can expose your wounds and flesh, your sore points. You can be completely raw and exposed.
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