A Quote by Vladimir Nabokov

if a violin string could ache, i would be that string. — © Vladimir Nabokov
if a violin string could ache, i would be that string.
Grab a guitar, put some kind of strings on it, a banjo string, then a violin string, then a guitar string, tune it any way you want, and make some noise, and see what you get. And work on it until you get something that you think is interesting. That's all there is to art for me.
Just like an ordinary guitar string, a fundamental string can vibrate in different modes. And it is these different modes of vibration of the string that are understood in string theory as being the different elementary particles.
The best theory comes from string theory, which states that dark matter is nothing but a higher vibration of the string. We are, in some sense, the lowest octave of a vibrating string.
The beauty of string theory is the metaphor kind of really comes very close to the reality. The strings of string theory are vibrating the particles, vibrating the forces of nature into existence, those vibrations are sort of like musical notes. So string theory, if it's correct, would be playing out the score of the universe.
I can assure you that no string theorist would be interested in working on string theory if it were somehow permanently beyond testability. That would no longer be doing science.
The fact that I'm a fifth of Punch Brothers... that's lucky for me because I feel like I get to operate in the context of one of the great string bands. There's just not another string band I would rather be in, and i'm just compelled to make music for and with string bands. It's what I know, and it's kind of like who I am.
There have been men who could play delightful music on one string of the violin, but there never was a man who could produce the harmonies of heaven in his soul by a one-stringed virtue.
I've always approached the game, going back to when I got drafted in 2012 to Denver, like I was going to be the starter. That's how you have to prepare, whether you are first string, second string or third string, because you never know when something is going to happen to the guy in front of you.
I have a strange feeling with regard to you. As if I had a string somewhere under my left ribs, tightly knotted to a similar string in you. And if you were to leave I'm afraid that cord of communion would snap. And I have a notion that I'd take to bleeding inwardly. As for you, you'd forget me.
When I practise scales I will play four notes on one string. If I'm playing a C major scale, starting on F, I'll play the F, G, A, and B on one string and the C will be on the A string, etc, etc. Because I found not only was it good for my hands but it was really good for interconnecting things.
There are physicists, and there are string theorists. Of course the string theorists are physicists, but the string theorists in general will not attend lectures on experimental physics. They will not be terribly concerned about the results of experiments. They will talk to one another.
If patterns of ones and zeros were 'like' patterns of human lives and death, if everything about an individual could be represented in a computer record by a long string of ones and zeros, then what kind of creature would be represented by a long string of lives and deaths?
If I were rich I would have many books, and I would pamper myself with bindings bright to the eye and soft to the touch, paper generously opaque, and type such as men designed when printing was very young. I would dress my gods in leather and gold, and burn candles of worship before them at night, and string their names like beads on a string.
The mastery of one's phonemes may be compared to the violinist's mastery of fingering. The violin string lends itself to a continuous gradation of tones, but the musician learns the discrete intervals at which to stop the string in order to play the conventional notes. We sound our phonemes like poor violinists, approximating each time to a fancied norm, and we receive our neighbor's renderings indulgently, mentally rectifying the more glaring inaccuracies.
The soul is like a violin string: it makes music only when it is stretched.
I always hated watching bands: the guy would break a string or be out of tune, and I have perfect pitch, so it would always tick me off when a guy is up there, and he'd break a string.
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