A Quote by Vladimir Nabokov

And this is the only immortality you and i may share, my Lolita. — © Vladimir Nabokov
And this is the only immortality you and i may share, my Lolita.
I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.
The biggest crime in Nabokov's 'Lolita' is imposing your own dream upon someone else's reality. Humbert Humbert is blind. He doesn't see Lolita's reality. He doesn't see that Lolita should leave. He only sees Lolita as an extension of his own obsession. This is what a totalitarian state does.
I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come out of him, like black smoke, like a demented giant, and pull him apart nerve by nerve. ... I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.
I knew I had fallen in love with Lolita forever; but I also knew she would not be forever Lolita.
Immortality is not a gift, Immortality is an achievement; And only those who strive mightily Shall possess it.
I have four daughters and eight grandchildren. My soul lives on in them. That's immortality. That's the only immortality I care about.
Oh, my Lolita, I have only words to play with!
A cheese may disappoint. It may be dull, it may be naive, it may be oversophisticated. Yet it remains cheese, milk's leap toward immortality.
Poets have said that the reason to have children is to give yourself immortality. Immortality? Now that I have five children, my only hope is that they are all out of the house before I die.
Share your knowledge. It is a way to achieve immortality.
Forgiveness is healing—everything is energy—thoughts create—we are all connected—what you resist persists—true love never dies—the soul’s immortality is the only true immortality—
The only immortality we know of is our children, and in that unfinished story of the acts of lives, which, forever expanding, like waves from a pebble in the lake, have their immortality in the acts of future generations.
There may be beings, thinking beings, near or surrounding us, which we do not perceive, which we cannot imagine. We know very little; but, in my opinion, we know enough to hope for the immortality, the individual immortality, of the better part of man.
If you're in a business where Latinos only play Indian maidens and what I call 'Conchita Lolita' parts - the little fiery spitfires - you do what you have to do.
Doing interviews is very different from working as an actor, because it's up to the journalist not only to understand what I'm trying to convey, but to convey that understanding through their process. And often times it gets manipulated, sometimes intentionally, by pulling things out of context. Some people may not appreciate your work and some may be incredibly moved by it. So that isn't the concern. You have to do what you can do, and share what you feel is appropriate to share in the moment. And then, it's out of your control.
I think the art film, or the auteur-driven film - and not only foreign, but domestic films following that path - can get a small share of the box office. And I think that small share may open up a little bit.
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