A Quote by Voltaire
The flowery style is not unsuitable to public speeches or addresses, which amount only to compliment. The lighter beauties are in their place when there is nothing more solid to say; but the flowery style ought to be banished from a pleading, a sermon, or a didactic work.
Related Quotes
It takes talent to please the people in a sermon by a flowery style, a cheerful ethic, brilliant sallies and lively descriptions; but such a talent is inadequate. A better sort of talent neglects these extraneous ornaments, unworthy to be used in the service of the Gospel: such a preacher's sermon will be simple, strong and Christian.
You should really stay true to your own style. When I first started writing, everybody said to me, 'Your style just isn't right because you don't use the really flowery language that romances have.' My romances - compared to what's out there - are very strange, very odd, very different. And I think that's one of the reasons they're selling.
In Bulgarian I am much more flowery, the sentences are wilder. In English out of necessity I try to be clear and disciplined. I realized by writing in English there is so much more to writing a good story than the style.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
Fine declamation does not consist in flowery periods, delicate allusions of musical cadences, but in a plain, open, loose style, where the periods are long and obvious, where the same thought is often exhibited in several points of view.
I don't have a specific style. My style is unorthodox; that is my style. So you can't really place me here, place me there, because my style is just to be anywhere, you know what I'm saying?
Let eloquence be flung to the dogs rather than souls be lost. What we want is to win souls. They are not won by flowery speeches.
So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.
After all, it is style alone by which posterity will judge of a great work, for an author can have nothing truly his own but his style.
Love is no game! It is no flowery softness! It is hard work- It demands everything from you- especially the truth. Only then does it yield results.
People can be sensitive, so if I need to, I'll suck it up and be more flowery. I'll do what it takes to get the outcome I want. As I like to say, sometimes you have to crouch to conquer.
I would say this: no matter what style you play, at some point, the team that beats you, people are going to say, 'I guess your style doesn't work.'
I'd say in general, my style is Johnny Weir style. It's my style. I can't classify it as anything else.
So what is design all about? It [exists to] decrease the amount of vulgarity in the world ... to make the world a better place to be. It doesn’t have to be one style. We’re not talking about style, we’re talking about quality. Style is tangible, quality is intangible. I am talking about giving to everything that surrounds us a level of quality.
All literary style, especially national style, is made up of such coincidences, which are a spiritual sort of puns. That is why style is untranslatable.
I think I have always sort of cultivated a flowery writing style. I've always sort of over - written in every genre that I've attempted. I went to college and took a couple of writing classes and I remember my teachers were always incredibly encouraging. But it was inevitable to get the criticism: "Take it down a notch!" But the nice thing about screenwriting is that you don't really have to.
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