A Quote by Val McDermid
I think that crime is a good vehicle for looking at society in general because the nature of the crime novel means that you draw on a wide group of social possibilities.
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The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now.
All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.
I was a late bloomer. I was 38 when my first book was out and 43 when my first crime novel was out. I had a story that could only be told as a crime story. I think the genre is good; it deals with the fundamental questions of life and death. The problem is there are too many bad crime stories.
'The Turnaround' isn't even really a crime novel. But you need conflict to make a novel, any kind of novel, and I don't know any other way to do it than crime.
Private appropriation of the Earth’s surface, the natural resources, and the means of life is nothing less a crime than a crime against humanity, but the comparative few who are beneficiaries of this iniquitous social arrangement, far from being viewed as criminals meriting punishment, are the exalted rulers of society, and the people they exploit gladly render them homage and obeisance.
I think there is a lot of crime caused by desperation, and it doesn't mean that people commit crime because they're poor, but certainly a lot of people who are poor commit crime and they might not if they weren't poor. You understand the difference there? That's not news, but it comes up when I hear people say poverty doesn't affect crime - that crime is still going down in America even though the economy is bad.
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
I don't think anything good is happening. I think we're paying the price for it. I think while crime in general is going down, youth crime is going up. I think mental health problems of the youth are going up. You can't show causality. It's a hard stretch.
To punish a man because he has committed a crime, or because he is believed, though unjustly, to have committed a crime, is not persecution. To punish a man, because we infer from the nature of some doctrine which he holds, or from the conduct of other persons who hold the same doctrines with him, that he will commit a crime, is persecution, and is, in every case, foolish and wicked.
I work in an old tradition that goes back to the ancient Greeks. You hold a mirror to crime to see what's happening in society. I could never write a crime story just for the sake of it, because I always want to talk about certain things in society.
I am a master of fiction. I am also the greatest crime novelist who ever lived. I am to the crime novel in specific what Tolstoy is to the Russian novel and what Beethoven is to music.
That's why I love crime novels so much: When I write a crime novel, the conflict is built in.
I think of myself as a social scientist. In order to get hired and to get promoted, we're forced to declare a disciplinary and sub-disciplinary specialty, so I am a psychologist and I am a social psychologist within that. But I think the exciting thing is to think about the social sciences in general and the nature of society. It's one of the hardest things to think about, because our brains aren't designed to think about these emergent entities. We're not good at it.
It seems to me that one of the things that happened with a lot of literary fiction in the 1980s and 1990s was that it became very concerned with the academy and less with how people live their lives. We got to a point where the crime novel stepped into the breach. It was also a time when the crime novel stopped being so metropolitan.
To be smart on crime, we should not be in a position of constantly reacting to crime after it happens. We should be looking at preventing crime before it happens.
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