A Quote by G-Dragon

I don't really think I know myself. I don't quite get how K-pop is functioning. But I'm certain that we need to grab the approval when we have the chance. — © G-Dragon
I don't really think I know myself. I don't quite get how K-pop is functioning. But I'm certain that we need to grab the approval when we have the chance.
We want you to stop caring about what anybody else's response is to you. And when you get there, they'll all really, really like you. It's the strangest thing. When you need their approval, you never get it. And when you don't need their approval, you're so tuned in, everybody wants to be with you.
For artists of my caliber, we're not played on the radio, so we don't really get a chance to get involved in that debate at all. We don't get a chance, because this weird kind of ageism exists in pop music. If you're past a certain age, you're not relevant. That's the kind of cliched term.
I wouldn't categorize myself as R&B or hip-hop. I don't really know how to categorize myself. I'm still working out where I fit with that stuff. I kind of think of myself as pop.
I think I let go of the need for approval. It certainly feels good when you get it, but I used to be more desperate for it. Once I felt better inside about myself... I could do everything based on how I want to do things.
I don't think of myself as funny. I think of myself as rather grave, actually. And I'm suspicious of fun. I never quite know what that is or how to deal with it or how to generate it. That's my fault. I know it's a burden on the people I'm with. It's tiresome.
I know how to deal with jet lag, and I know just how much rest I need and when I need to take naps. When you walk on stage, you need your brain working at its highest and most fully-functioning, so it's not always easy, but I sort of figure it out.
There's nothing like a deadline to get the old blood flowing. All the juices, really. It doesn't follow, if you think about it. You'd assume certain things ... certain activities ... would become unimportant. Certain betrayals would become unbearable. But they don't really. In fact, quite the opposite. Everything takes on a new light. The impossible becomes possible, desirable even. It's quite remarkable.
The feeling I have reminds me of New Year’s Eve, when the countdown is coming and I’m not quite sure whether to grab my camera or just live in the moment. Usually I grab the camera and later regret it when the picture doesn’t turn out. Then I feel enormously let down and think to myself that the night would have been more fun if it didn’t mean quite so much, if I weren’t forced to analyze where I’ve been and where I’m going.
You can get a rut where you think you need to create something that sounds like a certain thing - especially with pop music.
You work so hard to get to a level and you need to grab your chance with both hands.
I need what I'm thinking to come out into the world, even if it's a two-word approval, like, "Yeah, I agree," I need that approval so that in the morning I can get up and use that when I go to work. It's a weird version of focusing.
You want your parents to say, "Hey, I'm proud of you." When you don't hear that, you learn to compensate. You say, "Hell, I don't need their approval. If I get my music right, I'll have everyone else's approval." I didn't understand it then, but I now know that's what happened to me.
I do feel that there are things you can learn from an artist, but I think you need to be very close to that person, and to know that person fairly well, in order to acquire anything from them. I do have a teacher myself, and I have learned quite a lot from my teacher, but it's not how to make a film. It's more how to approach my life as a director, how to approach and how to lie to a producer.
I think humor really is the most effective way for me personally to express myself. When I see an incredible formalist painting, I respect it. I really do. I see its history and I get it. But when I pass something weird or something funny, I totally associate with it. I find myself thinking about it later that day. That's how I know something is thought provoking. That's how I know something is effective.
I plot the first 5 or 6 chapters quite minutely, and also the end. So I know where I am going but not how I'm going to get there, which gives characters the chance to develop organically, as happens in real life as you get to know a person.
We will be whatever they need us to be. Call us emo's, liars, and cheaters...tell people how awful we are and how little talent we have...do whatever it takes to make themselves feel better because at the end of the day, we are strong, we can take it. We don't need their approval to justify our lives. Each and every one of us has a fire that burns inside us and they can try like hell to put out that flame but as long as in our minds we know who we are meant? to be, they don't stand a chance.
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