A Quote by Gaby Hoffmann

It was like I lived in a little suburban neighborhood in the middle of New York City because I could run around barefoot or, you know, completely independently from a very young age in the safety of this building where I knew everybody and where I had friends on every floor, and I knew the bellmen in the lobby.
I knew that I wanted to live in a city, but had never really been to New York. But I was begging my parents as a kid to move to New York, so it was just something that I sort of knew from a young age.
One of the things I noticed while I lived in New York City was how different the kids and teens were that grew up there versus, you know, my suburban upbringing. They have this innate resilience and toughness to them, and they're incredibly self-sufficient, usually from a pretty young age.
The last Company Flow reunion show in New York City was pretty insane. Everybody knew all the words to every song; everybody had smiles on their faces. Those shows are what you hope for every time you get on the stage.
I was fortunate that by the time I was born, there were a lot of comforts and at the same time I lived in a neighborhood where it was brought to my eyes every single day that people didn't live like me. Every day I knew that many of my friends "got relief." That was important in my thinking about the world, thinking that not everybody lived that way.
I remember I grew up in Pasadena in a very, kind of, homogeneous, kind of, suburban existence and then I went to college at Wesleyan University in Connecticut. And there were all these, kind of, hipster New York kids who were so-called 'cultured' and had so much, you know, like knew all the references and, like, already had their look down.
I had just moved to New York in September 2001, and immediately 9/11 happened, and of course it completely changed the city and everybody who lived there.
Even when disco went out, I could still make hits. Once I had so much success, every idea became concentrated. I had so much confidence. I knew how the bass should sound, what rhythms would work. The tempos I knew: 110 to 120 BPM. I knew they would dance in the clubs in New York or anywhere.
We lived in the bowels of New York City. It was a struggle just to survive. This nice suburban kid hadn't had to do much of that before.
As an actor, I had the most power than I've ever had before, because I was able to create and arc and pursue that idea fully, because as every new director that came on, no one knew 'Hanna' like I knew 'Hanna.' That is something that I knew inside me.
New York was the only city I knew in the world where you could be desperately lonely at nine in the morning, crossing the street for a bagel at Gristede's, and find that seven hours later you were drinking Irish coffee at P.J. Clarke's with all the friends you had inherited along the way.
In a city like New York, especially for young professionals who aren't in a family situation, most people don't cook for themselves. This is the only city I've ever lived in where I eat out every night.
I was born and raised in Dallas, Texas and seasonally lived in New Orleans and Boston. Given that this was all at a tender age, I imagine I was very impressionable. I was a kid that was always moving, city to city, school to school. I adapted easily wherever I was, I knew how to blend.
I don't know if it was a defining moment. I knew it as soon as I could comprehend the possibility of having a career. I knew very young I wanted to be a movie star. As much as I grew into love of the craft. As soon as I could speak I was auditioning and going to classes every day. It was my life.
i get a little romantic about the old Empire State. Just looking at it makes me want to play some Frank Sinatra tunes and sway a little. I have a crush on a building. I'd been in there several times but never to work. I always knew there were offices in there but the face never penetrated, really. You don't work in the Empire State Building. You propose in the Empire State Building. You sneak a flask up there and raise a toast to the whole city of New York.
I'd think the house was the source of great sadness or pressure. I knew it wasn't. I knew it was just where I lived. But I'd walk up the stairs and the second floor was just desolate. My old bedroom: empty. My old rehearsal room: empty. First floor studio: messy and empty. Middle room: broken gear everywhere.
Being in New York, a lot of people I knew were top-notch copy editors or photo retouchers, so I had a good community around me that knew how to do the specialized stuff.
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