A Quote by Gaby Hoffmann

I went to school to study literature and writing, even though I didn't end up really doing that in the end. I thought I would be a teacher, but I didn't really think about it in any practical way.
I went to school to study literature and writing, even though I didn't end up really doing that in the end.
I just loved storytelling. That's what I thought I would end up doing. I thought I would probably go to school and end up writing for a magazine or something.
I always wanted to read. I always thought I was going to be a historian. I would go to school and study history and then end up in law school, once, I ran out of loot trying to be a history high school teacher. But my dream was always to place myself in a situation where I was always surrounded by books.
Once I got into high school, any time I had to do a talk or a speech, I just loved being up in front of an audience, it was always a character. And then I discovered that an impersonation of the teacher was a really, really good way to get a laugh, and it would also get you good marks, because the teachers were always bored and loved to be the "teacher-parody." So that became my little trick at school, and I became known for doing that.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
About three years went by and I had become exhausted - really at the end of my rope almost - and I thought I couldn't last much longer... and at the very end, when I thought of giving it all up, suddenly I thought it was good. I knew that I now understood something about it and I painted it as easily as you can imagine.
I really have very little aspirations about acting because I think that probably the best things have come and gone. I would like to focus on writing and directing. I love writing and directing even though writing can be incredibly painful and lonely. I get great satisfaction from doing it.
If I'd loved my chemistry teacher and my maths teacher, goodness knows what direction my life might have gone in. I remember there was a primary school teacher who really woke me up to the joys of school for about one year when I was ten. He made me interested in things I would otherwise not have been interested in - because he was a brilliant teacher. He was instrumental in making me think learning was quite exciting.
I spent all of my childhood at a performance art camp. Putting on plays, it was more like commedia dell'arte. It wasn't career-oriented in any way. It was more fun and therapeutic, so I never really thought of it as something I would end up doing. I was more convinced I was going to be a painter.
So 'Heaven On My Mind' is a song I would never have thought about writing. But I really loved the concept knowing there is a light at the end of the tunnel.
Animation wasn't my love, but drawing was. I loved drawing, and when it came time to graduate from high school, I looked around and it was like, "Wow, I don't really want to study math. I don't really want to study science. I don't really want to study literature. Is there a place where I can go and draw cartoons?"
I eat tons, three full meals a day, and I never go to the gym. When I was a child, my geography teacher said, 'You may be slim now but if you carry on eating like that, you'll end up being really fat.' Fortunately, I really don't think I've changed much in the past two decades, so that teacher was an idiot.
The fact that I had spent so many years doing media criticism and thinking really seriously about theme and structure did definitely help. Doing that for several years indirectly built a lot of tools that I would end up using when writing my own fiction.
I think that feeling of being thrown into the deep end and doing something you never thought you would accomplish is really powerful.
I get really excited about collaborating because by the end of the day you have something that you never thought you'd have. I was really happy about writing "Bad News" and a bunch of other stuff on the record that came out so well.
You hear about all the great British thespians doing stuff on the West End and that kind of thing, and I missed out on that. Alan Rickman actually suggested to me that I should try it. And I thought, "Geez, I really don't want to do that." But he must have recommended it for a reason, so when an opportunity came up, I took it. And it was tough. It was hard! But by the end of it, I absolutely loved it.
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