A Quote by Gad Saad
If any syllable that I utter might be interpreted in 13,000 different ways, then the best way for me to never be tarred and feathered is to never open my mouth. So the next time that someone calls on me for an opinion, you know what? I won't say a thing.
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Whenever you hear me talk about anything, you never know what I'm going to say until the words come out of my mouth. I'm not one of these Rush Limbaugh individuals, you know what he's going to say before it comes out of his mouth. Whatever the Democrats say, not 99 percent of the time, 100 percent of the time, he's on the opposite side. That's not the way I am.
You have to be open to change. I never stop making sure that what I say is the best of what could be said about a particular thing. It's a constant evolution. If I planted a tree one way yesterday and somebody tells me of a better way to plant a tree, I think, You know, they're right, that's better. Then I change my way to accommodate the new way of planting trees.
I was glad my father was an eye-smiler. It meant he never gave me a fake smile, because it's impossible to make your eyes twinkle if you aren't feeling twinkly yourself. A mouth-smile is different. You can fake a mouth-smile any time you want, simply by moving your lips. I've also learned that a real mouth-smile always has an eye-smile to go with it, so watch out, I say, when someone smiles at you with his mouth but the eyes stay the same. It's sure to be bogus.
Rules and Things Number 63: Never, Ever Say Something Bad About Someone You Don't Know--Especially When You're Around a Bunch of Strangers. You Never Can Tell Who Might Be Kin to That Person or Who Might Be a Lip-Flapping, Big-Mouth Spy.
I once heard a sober alcoholic say that drinking never made him happy, but it made him feel like he was going to be happy in about fifteen minutes. That was exactly it, and I couldn't understand why the happiness never came, couldn't see the flaw in my thinking, couldn't see that alcohol kept me trapped in a world of illusion, procrastination, paralysis. I lived always in the future, never in the present. Next time, next time! Next time I drank it would be different, next time it would make me feel good again.
I try to stay friends with everybody because you might go back and work with somebody who you had a horrible experience with and it could be great the next time. You never know which way it's going to go, never say never.
I know when the anthrax thing hit - white people, y'all was very nervous. Y'all would come up to me at work and warn me, like 'Oh my God, Aries, be careful. Don't open your mail.' Let me tell you something - black folks was never worried about anthrax because, half the time, we don't open our mail no way. We might think that's a bill. We might hold it to the light and go, 'That's a red slip.' If you want to get us with anthrax, put that in a Jay-Z CD. That's how you get us.
Sometimes I'll be confident and go into a shop and say, "Hello, yeah, all right," and then the next day, if someone looks at me or talks to me, I just don't know what to do. If you're walking down the street with a baseball cap, you might be fine. But if you're in a pub and you see someone look at you, you think the worst thing in the world now is if they come over. It's a really weird feeling.
I have never conceived that having been in public life required me to belie my sentiments, or to conceal them. Opinion and the just maintenance of it shall never be a crime in my view, nor bring injury on the individual. I never will by any word or act, bow to the shrine of intolerance. I never had an opinion in politics or religion which I was afraid to own; a reserve on these subjects might have procured me more esteem from some people, but less from myself.
I go into the whole composer thing quite open to keep on going and keep on trying different things because you never know... the next idea you have might be the one.
The image of a person completely covered in cotton candy made me laugh the most. I'm not sure why. To me, being tarred and feathered in sugar is just good comedy.
We're at a time now where there's a lot more "I'll do whatever it takes" attitude. I'm not going to say or do what you want me to say or do just because it might help me or be the politically correct thing to do to help my career. And that may have hurt me sometimes. I think about different collaborations that have been brought my way - it might have meant I'd get to be on TV to do certain things, but I've said, "No. It doesn't make sense. I'm not doing it." And other people might jump at the opportunity.
As a producer, the only thing you have is an opinion - and if you don't trust your own opinion, then everything becomes vanilla. And for me I always say this to my producers, 'If you're not sure what to do, just ask me.' I'm not smarter and it's not that I know better, but I've probably already made that mistake. As far as TV goes, a lot of it is just troubleshooting and dealing with problems that come up. So that's the message for the younger kids coming up: don't be afraid to say, 'I don't know,' cuz' that's the smartest thing you can say.
I never stop making sure that what I say is the best of what could be said about a particular thing. It's a constant evolution. If I planted a tree one way yesterday, and somebody tells me of a better way to plant a tree, I think, 'You know, they're right, that's better.' Then I change my way to accommodate the new way of planting trees.
People call me for interviews on censorship type topics all the time, like that Gannette interview.I don't hold myself out to be an authority on it, but the reason they call me is that they know that I'll at least open my mouth, and give an opinion, whereas other people will play it safe, and won't say anything, because they don't want to offend anybody.
The thing that's really kept me on my toes is how my mom would always tell me - it's not the best thing for a mother to tell you - but she'd never tell me after I'd lose a soccer game, 'You'll do better next time.' She'd always say, 'There's always somebody better.'
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