A Quote by Guy-Manuel de Homem-Christo

I don't know EDM artists or the albums. At first I thought it was all just one guy, some DJ called EDM. — © Guy-Manuel de Homem-Christo
I don't know EDM artists or the albums. At first I thought it was all just one guy, some DJ called EDM.
There have been a lot of people involved in the growth of EDM's support in the U.S., from DJ/producers like David Guetta, Deadmau5 and Skrillex, to major festival organisers and pop artists of EDM integrating elements of dance music into their music.
The way Electronic Dance Music [EDM] is manipulated and exported to the world is a very strong, and "total" concept. But it's not that interesting artistically. EDM is seen by some media as a kickstarter for kids who have no idea how deep dance music can go.
Nothing wrong about EDM. Great songs came out of it, but there was a period when everything had to have a pace of 128 bpm and be DJ-related.
I'm a producer and not a rapper. So I can make any style of music I want. I can make an EDM beat. I can put an EDM track out one day and I can put a grungy hip-hop track out the next day, like, it doesn't matter.
DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that I'd like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.
A lot of people always see the EDM DJs as button pushers, especially when deadmau5 came up with that term. Well actually I started out as a hip-hop DJ and I won several awards in Holland for my skills.
EDM has trained a new generation of listeners' ears to accept a much broader range of what equals a song. EDM has become top 40 stuff: those sounds, those styles, those ways of thinking about song structure - even thinking that vocals aren't necessarily the central element - those ideas have made their way into popular culture.
DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that Id like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.
There are not necessarily a lot of DJs are coming to Israel, so the moment an EDM DJ is coming to Israel, you can tell that people are way more excited and are looking forward... to the show.
Honestly, so much of that EDM stuff is just so disposable.
I think my set is more so mixed in everything. It's not just EDM.
I'm really into EDM music and the culture of that. I just love all that stuff.
I just loved EDM because I felt like it inspired dance and movement.
CNTRL is about letting people know that not everyone fits under the 'EDM' umbrella; not creatively or even personally.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
I'm crossing the EDM barrier.
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