A Quote by Guy-Manuel de Homem-Christo

We're not performers, we're not models - it would not be enjoyable for humanity to see our features, but the robots are exciting to people. — © Guy-Manuel de Homem-Christo
We're not performers, we're not models - it would not be enjoyable for humanity to see our features, but the robots are exciting to people.
I think people are really more excited to see the robots than they would be to see ourselves.
I collect robots. They're mainly Japanese, American, and especially Russian - small robots, big robots, and old toy robots made between 1910 and the Fifties.
Impact has some of the most exciting wrestlers and performers and some of the greatest people in our industry.
Back in the twentieth century, we thought that robots would have taken over by this time, and, in a way, they have. But robots as a race have proved disappointing. Instead of getting to boss around underlings made of steel and plastic with circuitry and blinking lights and tank treads, like Rosie the maid on The Jetsons, we humans have outfitted ourselves with robotic external organs. Our iPods dictate what we listen to next, gadgets in our cars tell us which way to go, and smartphones finish our sentences for us. We have become our own robots.
So robots are good at very simple things like cleaning the floor, like doing a repetitive task. Our robots have a little tiny bit of common sense. Our robots know that if they've got something in their hand and they drop it, it's gone. They shouldn't go and try and put it down.
It's important that people come see our show, because we are performers. We wanted people to see that.
I take it as a real compliment that people believe that I can in some ways mine the disenfranchised, the marginalized, the somewhat off-center - psychologically speaking - people in our society, and bring a real humanity to them, and make people see what would otherwise be a person that you would hate. Find a reason to love them and see the world from their point of view.
There is something within me that might be illusion as it is often case with young delighted people, but if I would be fortunate to achieve some of my ideals, it would be on the behalf of the whole of humanity. If those hopes would become fulfilled, the most exciting thought would be that it is a deed of a Serb.
Human reactions to robots varies by culture and changes over time. In the United States we are terrified by killer robots. In Japan people want to snuggle with killer robots.
The reason you see so many volcanoes on Venus is partly due to the fact that there's virtually no erosion there. So on Venus, you're seeing features, some of which are hundreds of millions of years old on the surface. On Earth, we do not see any surface features nearly that old - you only see much more recent features.
The Greeks put us to shame not only by their simplicity, which is foreign to our age; they are at the same time our rivals, nay, frequently our models, in those very points of superiority from which we seek comfort when regretting the unnatural character of our manners. We see that remarkable people uniting at once fullness of form and fullness of substance, both philosophising and creating, both tender and energetic, uniting a youthful fancy to the virility of reason in a glorious humanity.
Right now, I think robots are where it's at. And yes, I'm biased. Robots and space, because with home rocket kits and Lego Mindstorm sets, people can get involved. I was raised on Transformers and GoBots, so I can't imagine what kids who are building real robots are dreaming about.
The climate-studies people who work with models always tend to overestimate their models. They come to believe models are real and forget they are only models.
I'm Dr. David Hanson, and I build robots with character. And by that, I mean that I develop robots that are characters, but also robots that will eventually come to empathize with you.
We have grafted, we write our own music, we are great performers - we put our life and soul into it. So when people say, 'Why are they wearing that?' you just want to say, 'Did you hear the vocals? Did you see the performance? Did you see how much went into it?'
I would not correct dancers if I was performing, because I don't believe in performers correcting other performers.
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