A Quote by Gareth Edwards

I came through the ranks of the BBC documentary department. I was lucky working during this drama doc era, where they did reconstructions, basically like cheap drama made by the factual department.
My first job was at the BBC but was really dull. I was working in the BBC's reference department, where I did a lot of filing. I had always been interested in films and theatre, so I thought that getting a job at the BBC would be a good idea, but the job was really mundane.
I was a dance major at NYU, but it wasn't working out. I had friends in the drama department, so I switched.
My parents couldn't afford a full time drama school, but I basically just did every class I could do, and followed every drama interest I could. When I was 15 or 16 I did drama courses.
I was always trying to perform, but never with some dream to be on the stage. The stage was wherever I was standing at the time. I was lucky that the department of education in Sydney had a program where you could try out for these ensembles - kind of like extra-curricular sports, but for little drama kids. I got into that system, and it took me right through high school.
I believe [the Department of Energy] should be judged not by the money we direct to a particular State or district, company, university or national lab, but by the character of our decisions. The Department of Energy serves the country as a Department of Science, a Department of Innovation, and a Department of Nuclear Security.
I started really young, like 12 or 13, and then I started doing school plays. We had a really good drama department, so the kind of drama-geek stigma wasn't really there in my high school.
Every weekend the drama department would have parties. The 20 hot girls on campus? All of them were in the drama dept. So we'd have somebody standing guard at the door to keep all the computer science guys out. We had to guard our women at all times.
My school didn't have a drama department. I was one of the lucky four children who got to travel twice a week to another school because our school could only afford one taxi.
So in my junior year, I switched to the drama department.
Professionally, I was at Bristol Old Vic Theatre School and did lots of things there, and then I won the BBC Carlton Hobbs Award, so I did some BBC Radio drama work, which is a lovely way to start out because you work with lots of great people, and you're working all the time, so you're learning rather than sitting around and waitressing.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I made mistakes in drama. I thought drama was when actors cried. But drama is when the audience cries.
A lot of the distinctions that we make between drama and documentary are spurious. We're deeply confused about these issues. About the difference between the two, about where documentary ends and drama begins.
I did all sorts of jobs after drama school - working in a bar, as a teaching assistant. I probably learned as much from them as I did at drama school.
Eliminate agencies that perform redundant functions... Get rid of the Department of Commerce, the Department of Education, the Department of Energy.
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