A Quote by Harry Bridges
I'm a working stiff. I just happened to be around at the right time, and nobody else wanted the job.
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Most of the most successful films Blumhouse has made have been rejected by everyone else. No one wanted to make 'Get Out.' Nobody. Nobody wanted to make 'The Purge.' I think it was floating around for three years before it came to us. Nobody wanted to make 'The Gift,' when it was a script called 'Weirdo.'
I've been training fighters about 10 years. And I know I get the kids that nobody else is gonna want. I get kids who violated probation five, six, seven times. Their parents don't want 'em, the police don't want 'em - nobody wants 'em. And so I say, okay, I was like that. Nobody wanted me. Once I found out that a nobody could do what I did, I took a whole bunch of nobodies. When you take a nobody, they're open to anything, so that's what I started working with. I started working with the worst kids that nobody else wants to deal with.
I'm a working stiff, baby, just like everybody else.
At 16, I got a part-time job selling double-glazing door to door. That was soul destroying but the worst part-time job I did was at university working on reception in a sexually transmitted disease clinic. Because no one else wanted to do it, they paid £8 an hour.
I just always wanted a platform. In the past, I always dreamed of having a following and a fan base - you know, a group of people just listening and paying attention to what I was making. I think the reality kicked in that you have to make a living so that you have enough time to keep creating, you know? 'Cause if you're not making a living at this, then you're making a living working another job, and if you're working another job, you're spending all your time doing that and can't put enough time into the music.
When you're working in service to a big project, there's always the question of, 'Is there total freedom to do what I think is right artistically, or is this a job?' It's okay for things to be a job. I'm perfectly comfortable working. I don't need to sit around and quench whatever personal artistic thirst I have at all times.
I would have been very happy just working from job to job, paying my rent one movie at a time. I never wanted to be this famous. I never imagined this life for myself.
Nobody tells you when success comes around; in its transient way, you're just working and exhausted all the time. Sometimes I think I'm just sleeping in the back of cars, d'you know what I mean?
You can't pretend there has ever been anyone come close to doing what I did. Nobody you could name could touch me, and I'm talking about nobody who's around now, nobody who was around in my prime, and nobody who was around any time you can mention outta your mouth.
You have to be talented. You have to work hard; you have to get the right pieces flowin' for you at the right time. And that's just what happened to me. I can't explain what happened.
No job in America should go unfilled because somebody doesn't have the right skills to get that job, nobody. So, if there's a job open, we should train those folks right away so that they can do the job.
And then after that, running around the bases, it was just one of those things. You couldn't believe what happened to you. And I look back on it, it's almost like it happened to somebody else.
I was hired for a really excellent academic job early in my life; I was twenty-five when I started at Princeton and I got tenure early on. I really didn't deserve this; I just happened to be in the right place at the right time.
Ultimately, nobody can decide for you that it's the right moment to quit your job, just like nobody can decide for you that it's the right moment to fall in or out of love.
I was always screwing around with music, but I really wanted to go to film school when I was in high school. I guess what happened was that I didn't get into Tisch, that's what happened. I got deferred. And I went to Hampsire and ended up making music like everybody else there.
Nobody could catch cold by the sea; nobody wanted appetite by the sea; nobody wanted spirits; nobody wanted strength. Sea air was healing, softening, relaxing - fortifying and bracing - seemingly just as was wanted - sometimes one, sometimes the other. If the sea breeze failed, the seabath was the certain corrective; and where bathing disagreed, the sea air alone was evidently designed by nature for the cure.
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