A Quote by Harry Carpenter

Marvelous oriental pace he's got, just like a Buddhist statue. — © Harry Carpenter
Marvelous oriental pace he's got, just like a Buddhist statue.
I like 'I Can't Stand the Rain.' I like it because it has a really oriental feeling to it, an 'oriental taste,' it has an essence of Asia.
Bolshevism may be Marxian in theory, but it is Hulagoesque in practice. It may be of European descent, but it is Oriental in tradition. Oriental in mood. Oriental in temperament.
I'm much more Buddhist. I mean, I'm not a Buddhist. I should be so lucky to be a Buddhist, a real Buddhist, but of all the things I investigated, that seems to make the most sense to me.
[I'm concerned with] aesthetics and this idea of how the passage between life and death goes. I can visually present that by borrowing this Buddhist statue.
As a memorial, I'd like a statue. Not of me, but a little modern statue, in marble or bronze, maybe of a bird, in a park where children could play and people going by could see it. On it, I'd just like it to say: 'Maeve Binchy, storyteller' and people could look at the name and remember that they'd seen it somewhere else.
I'm from Oklahoma City, and there's a statue across from the site of the Alfred P. Murrah Federal Building of Jesus. It's called 'Jesus Wept.' And I love this statue because it's a statue of Jesus with his head in his hand. And his sadness and his pain at some of the choices that are made here - that just breaks his heart.
I get chills when I think that there's a statue of Phil Lynott on a street in Dublin, that people leave flowers by the statue. I love stuff like that.
Lately, I've discovered the Hellenistic bronzes. I'd never really thought about them much, but then there was this marvelous exhibition - many of them Roman, some of them Greek, all kinds of wonderful standing figures or heads or horses. It all suddenly became a passion of mine. I finally got to see that exhibition, which led to the idea of bringing up the statue in the film.
Those Oriental people work like dogs. That’s why they’re successful in life. I went to Seoul, South Korea, I went to Taipei, Taiwan. I went to Tokyo, Japan. That’s why these people are so hard workers. I’m telling you, the Oriental people, they’re slowly taking over.
I'm looking forward to becoming a marvelous - excuse the word marvelous - character actress. like Marie Dressler, like Will Rogers.
I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go.
Pace, rhythm and timing. Pace, rhythm and timing is what it's about. The content's got to be great, but then it's got to be delivered. It's a tricky thing to do, and it takes a lot of work.
The sculptor who deals with form seeks to imprison beauty in a marble statue that will withstand the ravages of time during millenniums; but a marble statue is cold and speaks to but a few of the most evolved who are able to infuse the statue with their own life.
At least half of your mind is always thinking, I'll be leaving; this won't last. It's a good Buddhist attitude. If I were a Buddhist, this would be a great help. As it is, I'm just sad.
One of my cousins is a golfer, so I got motivated to try the game and I enjoy the relaxed pace it offers me after the fast pace of cricket.
Just studying Buddhism, then meditating and going to Buddhist monasteries, talking to Buddhist monks, combined with the Thai people themselves, changed the way I look at the world.
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