The modern form of things had begun to appeal to me, also (as material for satire) politics, and the lives of the great and little, high up in the social scale.
I'm so glad that talented writers and everybody who produces shows are being meeting with such success - it gives me more hope for the future of satire. They're probably the most powerful form of satire out there today.
Satire is not a social dynamite. But it is a social indicator: it shows that new men are knocking at the door.
By pretending that convention is Nature, that disobeying a personal prohibition is a medical illness, they establish themselves as agents of social control and at the same time disguise their punitive interventions in the semantic and social trappings of medical practice.
For me, faith is personal, but the implications are social - as personal and social responsibility are at the heart of the Christian message.
The British ballads became a new kind of form in their hand. And out of them came the blues, a new kind of song of commentary and satire, a song form which, after all, has become the main musical form of the whole human species.
I think I just have to control what I can control. I can control myself. I can't control anything else but what I do. I definitely know I can do a better job at that.
Satire is at once the most agreeable and most dangerous of mental qualities. It always pleases when it is refined, but we always fear those who use it too much; yet satire should be allowed when unmixed with spite, and when the person satirized can join in the satire.
I didn't invent satire. I didn't come up with it. And it will continue to be a very powerful tool to disrupt political taboos and social taboos and religious taboos, because those taboos are always used to control and to curb people's way of creativity and thinking, by making them feel guilty because they want to make a change.
People do not consciously and rationally choose the form of their society. Societies develop through processes of social evolution that are not under rational human control.
I am a rooted person, 'Awwal' is a social satire.
Obesity is the result of a loss of self-control. Indeed, loss of self-control might be said to be the defining social (or anti-social) characteristic of our age: public drunkenness, excessive gambling, promiscuity and common-or-garden rudeness are all examples of our collective loss of self-control.
It is hard for power to enjoy or incorporate humour and satire in its system of control.
My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.
If we read the Western Canon in order to form our social, political, or personal moral values, I firmly believe we will become monsters of selfishness and exploitation.
I've always been a big fan of political and social satire.