A Quote by Garth Greenwell
When I took my first poetry class, I felt that I could understand the relationships between words and the formal qualities of language in a way I would never understand music.
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I have very diverse tastes in music, and I don't, like, make distinctions between what I can't and can't listen to. In fact, I could never understand why anybody would do that in the first place. My attitude is, 'I can't make music if I don't like music.'
Being a slow reader would normally be a deficiency; I found a way to make it an asset. I began to sound words and see all those qualities - in a way it made words more precious to me. Since so much of what happens in the world between human beings has to do with the inconsideration of language, with the imprecision of language, with language leaving our mouths unmediated, one thing which was sensuous and visceral led to, in the use of language, a moral gesture. It was about trying to use language to both exemplify and articulate what good is.
You could try and understand people, you could read books and understand words and concepts and ideas, but you could never understand enough or have enough knowledge to keep away the surprises that both fate and human beings had in store.
That is what it is like with Pep. At first, you don't understand. But then you grow up, you work, and now we understand the things he wants much better. It's not like the first season when it took him more time to make us understand his ideas. Some players didn't understand immediately what he wanted.
I do not see how a man can work on the frontiers of physics and write poetry at the same time. They are in opposition. In science you want to say something that nobody knew before, in words which everyone can understand. In poetry you are bound to say ... something that everyone knows already in words that nobody can understand.
Commenting to him about the poetry J. Robert Oppenheimer wrote.
I begin to feel like I was in the last generation of Americans who took a civics class. I begin to feel like most Americans don't understand the First Amendment, don't understand the idea of freedom of speech, and don't understand that it's the responsibility of the citizen to speak out.
I'm the kid that tried to take Latin in school because I felt if I could understand the root of everything, then I could understand why it worked. That was what took me into engineering. And the reason I stayed is, engineering teaches you to solve problems. It teaches you to think.
I would listen most particularly to the countries whose language I didn't understand, didn't know what they were singing. But being a singer myself, I could understand because of the emotion.
I believed even then that if I could transform my experience into poetry I would give it the value and dignity it did not begin to possess on its own. I thought too that if I could write about it I could come to understand it; I believed that if I could understand my life—or at least the part my work played in it—I could embrace it with some degree of joy, an element conspicuously missing from my life.
The language that photography has is a formal language. Any photographer is doing something formal. If it's formal, then it must be an aesthetic way to communicate.
I wanted to become a writer and felt that poetry was perfected language, so having it in my subconscious mind would make the music of language always available to me.
When I was a young man, I understood that poetry was two things - it was difficult to understand, but you could understand that the poet was miserable. So for a while there, I wrote poems that were hard to understand, even by me, but gave off whiffs of misery.
It's better when you don't understand the words in music. Because when you don't understand the words, you have to listen to what somebody means, not what they're saying. And if they mean it.
My father told me when I went to college that I needed to take an accounting class. I enrolled and went the first day. I didn't understand a thing that was being said and dropped the class. I really regret that decision. I should have stuck it out and learned the basics of accounting, but I took the easy way out.
If we communicated with something like music, we would never be misunderstood, because there is nothing in music to understand...... But until we find this new way of speaking, until we can find a nonapproximate vocabulary, nonsense words are the best thing we've got. Ifactifice is one such word.
I love, in movies, when you feel and you understand the past of the character without it being said or having a flashback or something that explains. I think, in 'Prisoners,' we need to understand that Loki's character's past was not first class. He was not the first in his class.
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