A Quote by Garth Risk Hallberg

Narnia, Middle-earth and New York were my three fantasy universes when I was a kid. — © Garth Risk Hallberg
Narnia, Middle-earth and New York were my three fantasy universes when I was a kid.
After all, history is a type of fantasy. For all the primary source research, in the end, the past world the historian builds is as weird and remote from our own as Middle Earth or Narnia, yet oddly familiar.
People forget that in early 1970s, there were 3 sushi bars in New York City. Three. Three. Think about that. Now, there is sushi in... I've eaten it - there is sushi at gas stations in Middle America.
We were in New York, and we were performing at a morning show. This fan literally ran from that studio in the middle of New York City to our airport, which was very far away. That fan ran all the way there to see us, and we were so in awe of that guy.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
Things were fine in elementary school, but when I moved schools in grade three, not only was I the new kid, I was the new kid with the skin condition.
Our investigation has found that, unlike traditional fantasy sports, daily fantasy sports companies are engaged in illegal gambling under New York law, causing the same kinds of social and economic harms as other forms of illegal gambling and misleading New York consumers.
All I really want is a three-room house. The home I have designed at my new farm in Bedford, New York, is a three-room house: bedroom on top, living room in the middle, and kitchen on the ground.
My New York, the one I identify with as a kid, has greatly changed. And I'm sure the people who were adults when I was a kid probably felt the same way.
There's nothing more fun than seeing the things that you dreamed about when you were a kid come true. I'm headlining an iconic theater in New York City during the New York Comedy Festival. When you're starting off as a comedian, you don't think that's ever going to happen.
My first three manuscripts were epic fantasy - like high fantasy - and then the fourth one was a historical fantasy about Mozart as a child. I still have a soft spot for that one!
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
The censors don't bother with fantasy books, especially old ones. They can't understand them. They think it's all kids' stuff. They'd die if they knew what The Chronicles of Narnia were really about.
I love short trips to New York; to me it is the finest three-day town on earth.
I grew up in Queens, in New York City, in a middle class Jewish family. My mother was a public school teacher, my father was a lawyer. They were Democrats - kind of middle-of-the-road democrats.
There were eleven publishers in New York City, and when it was all over, I think it went down to four or five, and then finally just the three of them, the Big Three.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
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