A Quote by Gwendoline Christie

Part of the reason why I love acting is that you do hope that somehow your work will connect to people and somehow expand their consciousness somewhat, and being able to challenge notions of prejudice through work - through my work - is really thrilling.
I do research. I do emotional sort of Method work. Somehow it’s a huge mishmash of things that becomes my own acting process and my own way of navigating through something. But ultimately the desire is to be honest, and for that truth to bleed through into your work and onto the screen.
What nobody tells people who are beginners… is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not… your taste is why your work disappoints you… We know our work doesn’t have this special thing that we want it to have. We all go through this… It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
You have to trust that the dots will somehow connect in your future... The only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle. As with all matters of the heart, you’ll know when you find it... Have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
People always talk about how diet is such a massive part of training, but they think that if they cheat all the time they can somehow out-do the damage in the gym. The key is to keep it balanced and stay on the diet and do the hard work, and when you push through your body will really start to respond.
You just have to work really hard and throw everything into it. ... It's really hard to be an artist, and even if you do work really hard, there's no guarantee about anything. There's no advice you can give someone that things will somehow work out, but you can talk to people about how they can make art a big part of their life.
For all the acting you can do, the actual soul of someone does somehow permeate through their work.
When the New Yorker turned down work, they turned it down in such an elaborately gentlemanly way making apologies for their own shortsightedness. Undoubtedly it was their fault but somehow for some reason this fell short of the remarkably high standard that you by your own work have set for yourself. They had a way of rejecting my work that made me feel sorry for them somehow.
You move on. It's work. Yeah, I'm privileged and paid handsomely and it's not exactly being in a coal mine, but you still work your ass off and you work as hard as you possibly can and you hope that people connect to it and enjoy it.
People are not perfect... very often the relationships that are strongest are those where people have worked through big crises, but they've had to work through them. So the challenge to us is to work through that.
No one else writes like Gord Downie, so it's difficult to compare him. He can work in the abstract and still somehow be really specific. He lets parts of his consciousness in that most writers aren't able to do, myself included. I don't feel like I have that access to the surreal and the somehow beautifully meaningful non-sequitur - that fits perfectly. I can never figure that out, how he does that.
Being in the profession of acting, we would like our work to be watched by people. That's the reason why we work and if it is not seen, it is upsetting.
I somehow always have this idea that as soon as I can get through this work that's piled up ahead of me, I'll really write a beautiful thing. But I never do. I always have the idea that someday, somehow, I'll be living a beautiful life.
Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.
There are two devices which can help the sculptor to judge his work: one is not to see it for a while. The other... is to look at his work through spectacles which will change its color and magnify or diminish it, so as to disguise it somehow to his eye, and make it look as though it were the work of another.
Writing is work. It takes a lot of contemplation, concentration, and out-and-out sweat. People tend to romanticize it, that somehow your work appears by benefit of some mystical external force. In reality, to be a writer, you have to sit down and write. It's work, and often it's hard work.
You try to hold on to some notions you might have had before, that this will somehow work out, this is a spell that will lift or be broken.
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