A Quote by Gail Carson Levine

I was born singing. Most babies cry, I sang an aria. — © Gail Carson Levine
I was born singing. Most babies cry, I sang an aria.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
The little babies are missing their families from their past lives. The babies have old souls and the old souls have to shrink to become little babies. The tears loosen their memories so they can slide away. They cry at the life they have lost, and then they cry at everything they'll forget.
I got last-minute rush seats to Baz Luhrmann's 'Boheme,' and my favorite singer, Ekaterina Solovyeva, was playing Mimi that day. My face got burned off when she sang the aria 'Donde Lieta Usci.' The woman was technically sobbing and singing opera at the same time. I don't know how you do that.
I started singing Folksongs with my mother when I was 6 years old. We sang at Folk festivals and concerts and schools. There was always music being played either on record, Jazz and Folk, by musician friends of my mother. I took to singing very early, I believe it has been a Gift I was born with.
Why don't you like Noel Kahn?" Mike's voice made Aria jump. He stood a few feet away from Aria with a carton of orange juice in his hand."He's the man." Aria groaned. "If you like him so much why don't you go out with him?
I sang in 'Waiting for Guffman,' and I sang in 'A Mighty Wind.' I can carry a tune, but I don't like that Broadway singing.
Writing is a performance, like singing an aria or dancing a jig
The first and perhaps the most important requirement for a successful writing performance - and writing is a performance, like singing an aria or dancing a jig - is to understand the nature of the occasion.
When I found out that I was going to be singing with Jennifer Holliday, I literally freaked out! I grew up listening to her, and I was going to cry because I sang with someone who is a huge inspiration to me.
Babies are born with the instinct to speak, the way spiders are born with the instinct to spin webs. You don't need to train babies to speak; they just do. But reading is different.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
It's like being a newborn, this sudden sensory overload of noise, color, smells and gravity after months of quietly floating, encased in relative calm and isolation. No wonder babies cry in protest when they're born.
I grew up singing in Kansas. My dad had a band when I was growing up. So I sang in church and school and started singing with his band when I was seven. So I've been singing all my life.
I was more of a dancing kid than a singing kid. I mean, I sang in school choirs and I sang in school musicals, but I was much more interested in dancing than singing.
It's something that I've always done. I started singing when I was four years old; that was the first time I took a voice lesson. I would say, maybe from five years on, I sang on stages constantly. That's what I call my natural habitat: It's a place where I feel most like myself and the most confident, the most excited.
By the 6th grade I stopped doing ordinary things in front of people. It had been ordinary to sing, kids are singing all the time when they are little, but then something happens. It's not that we stop singing. I still sang. I just made sure I was alone when I did it. And I made sure I never did it accidentally. That thing we call 'bursting into song.' I believe this happens to most of us. We are still singing, but secretly and all alone.
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