A Quote by Gene Ween

Forty minutes in front of Beck isn't really where it's at. — © Gene Ween
Forty minutes in front of Beck isn't really where it's at.

Quote Topics

I might have got somewhere with 'The Ladykillers,' but forty minutes were cut. A lot of me was cut with that forty minutes.
Interestingly, my first director's cut was an hour and forty-one minutes. Then, the studio actually wanted to add more to the story, so we went all the way up to an hour and forty-seven minutes. After that, I made some additional cuts and now we are where we are.
The arrangement was simply FreedomWorks paid Glenn Beck money and Glenn Beck said nice things about FreedomWorks on the air. I saw that a million dollars went to Beck this past year, that was the annual expenditure. I put it down now as basically as paid advertising for FreedomWorks by Beck.
Glenn Beck is offended! Glenn Beck thinks playing the Nazi card is going too far. Glenn Beck. this is a guy who uses more Swastika props and video of the Nuremberg rallies than the History Channel.
The difficult thing about a pop record is that you're given guidelines: it has to have 3 choruses, and then it must be between 3 minutes fifteen seconds and three minutes forty-five seconds.
For forty days, for forty nights Jesus put one foot in front of the other and the man he carried, if it was a man, became heavier and heavier.
My son is actually named after Beck, the musician. We heard Beck on the radio and thought that was a good nickname for a child. We named our son Beckett so we could call him Beck - we reverse engineered. And then after he was born and I saw the name on the birth certificate I realized Beckett was a really pretentious name, way too literary. Luckily he's grown into it. We nearly named my second son Dashiell. Can you imagine? Beckett and Dashiell. It would have been a disaster of pretentiousness.
I spent a lot of my time, growing up, at the Beck Center. I'd be in plays there, and I'd get there an hour or two early just so I could be there, where I felt safe and where I belonged. And that's such an important feeling to have as a young kid. The theater community, and especially the Beck Center, really embraced me and got me started.
I write while my son is at school. At about 7:45 A.M., I walk him there, with the dogs, then walk them for another forty minutes or so, go home and chain myself to the desk a little before 9 A.M., and try not to be distracted until I hear my son plunge through the front door at about 3 P.M.
If you can play the first ten or fifteen moves in just as many minutes, you can be in a state of bliss for the rest of the game. If, on the other hand, Bronstein thinks for forty minutes about his first move, then time trouble is inevitable.
I was lucky enough to get to perform on stage in front of 20 million people on TV, and 150 thousand in concerts. For 15 minutes I got to be a rock star, the 15 minutes is great! It turns into Spinal Tap after 20 minutes.
In nineteen minutes, you can mow the front lawn; color your hair; watch a third of a hockey game. In nineteen minutes, you can bake scones or get a tooth filled by a dentist; you can fold laundry for a family of five. In nineteen minutes, you can stop the world; or you can just jump off it.
In forty-five minutes, it'll all be done. We'll all be good and crispy, but we'll still be number one.
It's really, really easy to make excuses as to why we can't go to the gym. If you can find time to sit in front of the TV for 45 minutes, you can find time to work out.
It's really not that hard. If I do a Tonight Show, it's six or seven minutes. If I do a concert, it's 90 minutes. If I do an interview, that's 15 minutes. So by the end of the day I've done three hours worth of work.
I'm not dying for everyone to hear everything we do. Forty minutes every two years is sensible.
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