A Quote by Genesis P-Orridge
All the people at university were very aristocratic - except me, because I was on scholarship. And everyone there voluntarily wore suits and ties every day. And this was in the '60s!
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You know, back when I was a kid who wanted to be in show business, everybody on TV wore nice clothes. They were very glamorous when they would be on the 'Tonight Show.' All the dudes wore suits and ties and that just seemed like real show business to me.
The first big break was winning a scholarship to go to Cambridge University. I was very lucky, because my parents couldn't have afforded a university education for me. Without a scholarship I couldn't possibly have gone.
When I was very young, my brother and I, we used to go into charity shops to buy suits. The thing about clothes is that people judge you by what you wear, unfortunately. So when we wore suits, people gave us respect - we were very young, and it made them think we were older.
I remember when people actually wore coats and ties to theatre every night. They don't anymore. It's very different.
At West Ham, I was the last person to be offered a scholarship. I remember an Under 18 match against Fulham. I was 16 and had to prove myself. Everyone else already had their scholarship. It was probably one of my best games. Knowing that every day I'd have to fight has made me into the person I am today.
My dad was a mechanic, and I have great style memories of him. He wore, every single day: a blue chambray shirt, Levi's 501s, and Red Wing boots. And that certainly wasn't fashionable at the time; it was basically the opposite. And he wore these horn rim glasses that were very Sol Moscot.
Learning how to shine a pair of shoes to me was like if you could do, you were like you were on your way to having abilities and skills as to be able to spit-shine a pair of shoes like they're patent leather. You're a bad dude. To spit-shine a pair of shoes. So, even to that small detail, that aided me and assisted me in becoming the artist that I am. My uncles' sense of style, their type of ties they used. The way they wore their suits, big and huge and baggy. The way they did their haircuts with the side burns. All of that.
Simple. Pared down. Timeless. The ties were never too thick or too thin; the pants were never too flared or too skinny. In my life with Dad, he wore Western apparel because we went riding - jeans, cowboy boots, the turquoise belt buckle. But it was all very simple, and that classic look is very 'Ralph Lauren.'
My '60s plays were as good as most of the other plays I've written ... except I wasn't in a condition to refine them, to help in the rehearsal, or do anything. I was hardly conscious of what was going on except during the hours of the day when I was actually writing ... and that was with the aid of speed.
In middle school, one day this girl was like, 'One day you wore Abercrombie, and one day you wore Quicksilver.' I was like, 'Hold on... what?' I'm usually really calm, but I kind of went off on her. Because I decided to wear Quicksilver one day, you can't place me? How stupid to have to live inside that box.
In the early-'60s, when you look at that period of time - up to the mod time - when everybody was wearing skinnier suits and skinny lapels and skinny ties - that came out of the States, and that was quite cool.
Justice Rehnquist was friendly and unpretentious. He wore scuffed Hush Puppy shoes. That was my first lesson. Clothes do not make the man. The Justice sported long sideburns and Buddy Holly glasses long after they were fashionable. And he wore loud ties that I am confident were never fashionable.
I like to shoot beautiful things. My two previous movies were one in the '60s, the other one in the '50s, and this one is in the '20s. This is a period that's very cinegenic. The cars, the props, the suits, the haircuts, the dresses, everything, and it gives you pleasure to compose frames with that material. The music, I really love jazz, so for me, when you have good materials and nice things, it's very pleasant.
There are some things you can't learn at any university, except for one, the University of Life... the only college where everyone is a permanent student.
A nasty day! A nasty day! 'Twas thus I heard a critic say Because the skies were bleak and gray— And yet it somehow seemed to me The day was all that it should be. I looked it very closely o'er; Its hours still were twenty-four, With sixty minutes each—no less— For deeds of good and helpfulness; And every second full of chance To give the day significance; And every hour full of growth For everybody but the sloth— I couldn't see it quite that way, For though the skies were bleak and gray The day itself, it seemed to me, Was all a day could rightly be.
I feel very lucky that I was part of that whole scene in the '60s and '70s. I love looking at the photographs because everyone was young, and they were so gorgeous to look at.
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