A Quote by Henry Cavill
There is a story that you have to tell within a certain amount of time, and you can only show so much of the character. So as much as the script is born from the source material, there are certain limitations.
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There was a time when the FCC tried to require a certain amount of television and media to be educational, a certain amount to be newsworthy and a certain amount of it to be public access.
If it's a modern-day story dealing with certain ethnic groups, I think I could open up certain scenes for improvisation, while staying within the structure of the script.
When "news stories" are broken, do we not expect a certain amount of fact-checking or source-checking? One has to ask if this falls under the guise of sloppy reporting or deception as a source of spin. We seem to accept a certain amount of deception and we seem to be helpless to doing anything about it, as illustrated so clearly by where we are right now in this moment in history.
I'm much faster now. When you only have a certain amount of time to write, after a while you learn to use your time well or you stop writing
I'm much faster now. When you only have a certain amount of time to write, after a while you learn to use your time well or you stop writing.
There's a certain amount of pressure that goes with writing superhero characters, especially characters that are beloved to audiences. You know that you're always writing into a certain amount of expectations and into an existing fandom, and I try to take the pressure of that in when I first accept a project and then I try to push it aside as much as possible and just focus on the story that I want to tell. It's definitely a little more pressure than writing something of your own, from your own brain, and creating those expectations from scratch. But I also like the challenge of it.
I know that telling the story, there are certain events I want to skip, and certain events I want to hit. The time passing allows for - if you're really following people's lives, and this isn't a cartoon - someone gets pregnant, a child will be born, etc. You really don't want to be locked into "Every episode is a month later." The show is very intense to make. There's always going to be some downtime between seasons, and to me, it really helps to come back to the next season in the reality of that world, and have almost as much time passed in their lives as has passed in yours.
A beautiful deleveraging balances the three options. In other words, there is a certain amount of austerity, there is a certain amount of debt restructuring, and there is a certain amount of printing of money. When done in the right mix, it isn't dramatic.
With Superman, there are certain limitations for an actor. You can't go past certain boundaries because then you cease to be what the character is.
There have been times I thought that when I got a certain point in the story, a certain character was going to do a certain thing, only to get to that point and have the character make clear that he or she doesn't want to do that at all. That long phone conversation I thought the character was going to have? He hangs up the phone before the other person answers, and twenty pages of dialog I had half written in my head go out the window.
A film has a beginning, middle, and an end. There is a certain amount of time that you have to embody these people. You know the entire story arch. But on TV, you have to let your guard down. You don't know how long the show is going to last. There is this excitement that comes with developing a character long-term.
Well, I don't know anything about television. I'd never done it before. Initially, it was quite daunting to take on so much challenge and so much time with it. I think it is a great outlet for an actress because you really have 13 hours to bring a character to life, which is so much more than with film, and you have the luxury of time to tell a story and to really color a character.
I feel making a commercial movie is much more challenging because there's so much you have to achieve within a certain period of time and budget.
That's the fun thing of casting a show. I'm a pretty strong believer that TV makes stars, not the other way around. I love the idea of having a cast where people don't associate them with too much baggage, so there's a certain amount of transparency between the character they're playing and the audience.
I was also thinking that I only had a certain amount of time to make music and to spend it in that city. And everybody else... you know the story 'Oh, New York it's such a great place, but it's so expensive to live here and there's so much to do.' You go there for inspiration and you end up getting a job to pay bills. I thought I must fight that at all costs.
Every time you say yes to a film there's a certain percentage of your yes that has to do with the director, a certain percentage to do with the story, a certain percentage with the character, the location, etc.
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