A Quote by Henry Miller
Every day that we fail to live out the maximum of our potentialities we kill the Shakespeare, Dante, Homer, Christ which is in us.
Related Quotes
Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.
Reading the very best writers—let us say Homer, Dante, Shakespeare, Tolstoy—is not going to make us better citizens. Art is perfectly useless, according to the sublime Oscar Wilde, who was right about everything. He also told us that all bad poetry is sincere. Had I the power to do so, I would command that these words be engraved above every gate at every university, so that each student might ponder the splendor of the insight.
Homer, Vergil, Dante, Shakespeare, Goethe, Proust - not exactly authors one expects to whiz through or take lightly, but like all works of genius, they are meant to be read out loud and loved.
My brethren, let me say, be like Christ at all times. Imitate him in "public." Most of us live in some sort of public capacity-many of us are called to work before our fellow-men every day. We are watched; our words are caught; our lives are examined-taken to pieces. The eagle-eyed, argus-eyed world observes everything we do, and sharp critics are upon us. Let us live the life of Christ in public. Let us take care that we exhibit our Master, and not ourselves-so that we can say, "It is no longer I that live, but Christ that lives in me."
Every artist is linked to a mistake with which he has a particular intimate relation. There is the mistake of Homer, of Shakespeare — which is perhaps, for both, the fact of not existing. Every art draws its origin from an exceptional fault, every work is the implementation of this original fault, from which come to us a new light and a risky conception of plenitude.
Anything that suffers and dies instead of us is Christ; if they didn't kill birds and fish they would have killed us. The animals die that we may live, they are substitute people, hunters in the fall killing the deer, that is Christ also. And we eat them, out of cans or otherwise; we are eaters of death, dead Christ-flesh resurrecting inside us, granting us life. Canned Spam, canned Jesus, even the plants must be Christ.
For works of the mind really great there is no old age, no decrepitude. It is inconceivable that a time should come when Homer, Dante, Shakespeare, should not ring in the ears of civilized man.
The surest way to arouse and hold the attention of the reader is by being specific, definitive, and concrete. The greatest writers - Homer, Dante, Shakespeare - are effective largely because they deal in particulars and report the details that matter. Their words call up pictures.
Shakespeare was the Homer, or father of our dramatic poets;Jonson was theVirgil, the pattern of elaborate writing; I admire him, but I love Shakespeare.
Dreaming is an act of pure imagination, attesting in all men a creative power, which if it were available in waking, would make every man a Dante or Shakespeare.
I witness that Jesus Christ is the Savior of the world. He suffered and died for our sins and rose the third day. He is resurrected. In a future day, every knee will bow and every tongue confess that He is the Christ. On that day, our concern will not be, 'Do others consider me Christian?' At that time, our eyes will be fixed on Him, and our souls will be riveted on the question, 'What thinks Christ of me?'
Not like Homer would I write, Not like Dante if I might, Not like Shakespeare at his best, Not like Goethe or the rest, Like myself, however small, Like myself, or not at all.
Dante would not have forgotten: they say that when Dante was a boy, he was asked: Dante what is the best food? to test his memory. Eggs, replied Dante. Years later, when Dante was a grown man, he was asked only: how? and Dante replied: fried.
Not Shakespeare. In college I took a Shakespeare class because I was an English major, and they had a Summer program called Shakespeare at Winedale, which is out in the German Hill country in Texas , where you go out and live for two months and then you perform three plays at the end of that time.
There's only one why. You only have one why, and your why is fully formed by the time you're 17, 18 or 19years old, maybe even earlier. The rest of your life are simply opportunities to either live in or out of balance and the career choices we make and the decisions we make in our lives either put us in balance with our why, which makes us happy, fulfilled and inspired. Or it puts us out of our why, which makes us frustrated, stressed out and sometimes we fail.
We fail to see the gospel as the solution to our greatest problem-our guilt, condemnation, and alienation from God. Beyond that, we fail to see it as the basis of our day-to-day acceptance with Him. As a result, many believers live in spiritual poverty.
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