A Quote by Henry Miller
It does me good to write a letter which is not a response to a demand, a gratuitous letter, so to speak, which has accumulated in me like the waters of a reservoir.
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Darling, You asked me to write you a letter, so I am writing you a letter. I do not know why I am writing you this letter, or what this letter is supposed to be about, but I am writing it nonetheless, because I love you very much and trust that you have some good purpose for having me write this letter. I hope that one day you will have the experience of doing something you do not understand for someone you love. Your father
Letter-writing I imagine is counted as 'work' from which you must abstain, and I scribble this letter simply from the self-satisfied notion that you will like to hear from me. You see, I have asked no questions, which are the torture-screws of correspondence. Hence you have nothing to answer.
It was a good 15 or 20 years before anyone at Rand would be in the same room with me. They didn't want the question raised, 'What's your relationship with Daniel Ellsberg?' And not one of them wrote me a letter because they didn't want a letter of theirs to show up in my trash - which the FBI had been going through.
Someone asked me if I would like to write a man on death row, be a pen pal, and I was like, sure. I volunteered. I had been in a place in my life - a relationship had ended; my parents were getting elderly - I was kind of adrift. The name that was given to me, just randomly, was Todd Willingham. And he wrote me a letter, and in this letter, he thanked me for writing him and [said that] if I would like to visit, he would put me on his visitor list... I was just really struck by the letter from Todd. It was very polite; it was very kind.
It occurred to me in my junior year of high school. I got my first letter from a big college. I still have that letter to this day - a letter from Indiana.
Friends will write me letters. They run out of room on the front of the letter. They write 'over' on the bottom of the letter. Like I'm that much of a moron. Like I need that there. Because if it wasn't there, I'd get to the bottom of the page: 'And so Kathy and I went shopping and we--' That's the craziest thing! I don't know why she would just end it that way.
The creative act is like writing a letter. A letter is a project; you don't sit down to write a letter unless you know what you want to say and to whom you want to say it.
When you have to write a letter, you're automatically put into a state of composure and a kind of formality. You can't help it. So, no, I never once got a letter where someone just popped off at me.
The headline of an advertisement accounts for 60% of the pull of that ad. In the same way, the start of a letter makes or breaks the letter, because if the start does not interest your reader, he never gets down to the rest of your letter.
My sister taught me how to write my name when I was about three. I remember writing my whole name: Jacqueline Amanda Woodson. I just loved the power of that, of being able to put a letter on the page and that letter meaning something.
My mother found a letter, though, that I wrote her when I was 8 years old and it was a letter where I asked if she could take me to the orphanage because I would like to adopt a little baby.
I can fake decent penmanship, but generally, it's really just terrible. And, unfortunately for me, maybe fortunately for the reader, it's very often illegible. If I get an idea, and if I do remember to write it down, which is rare, I write in such a way that I can't read a letter.
This is the task, I think, of a letter movement. But it should be set up only in states where a significant response can be achieved, for a letter movement necessarily presupposes a strong organization.
If you are in doubt whether to write a letter or not, don't. And the advice applies to many doubts in life besides that of letter writing.
You must get into the habit of looking intensely at words, and assuring yourself of their meaning, syllable by syllable-nay, letter by letter... you might read all the books in the British Museum (if you could live long enough) and remain an utterly "illiterate," undeducated person; but if you read ten pages of a good book, letter by letter, - that is to say, with real accuracy- you are for evermore in some measure an educated person.
I still think about the letter you asked me to write. It nags at me, even though you're gone and there's no one to give it to anymore. Sometimes I work on it in my head, trying to map out the story you asked me to tell, about everything that happened this past fall and winter. It's all still there, like a movie I can watch when I want to. Which is never.
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