A Quote by Henry Moore
Sculpture is an art of the open air. Daylight, sunlight, is necessary to it, and for me, its best setting and complement is nature.
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Sculpture is an art of the open air... I would rather have a piece of my sculpture put in a landscape, almost any landscape, than in, or on, the most beautiful building I know.
If art is the poetic interpretation of nature, photography is the exact translation; it is exactitude in art or the complement of art. (1854)
After painting comes Sculpture, a very noble art, but one that does not in the execution require the same supreme ingenuity as the art of painting, since in two most important and difficult particulars, in foreshortening and in light and shade, for which the painter has to invent a process, sculpture is helped by nature. Moreover, Sculpture does not imitate color which the painter takes pains to attune so that the shadows accompany the lights.
For me, architecture is an art the same as painting is an art or sculpture is an art. Yet, architecture moves a step beyond painting and sculpture because it is more than using materials. Architecture responds to functional outputs and environmental factors. Yet, fundamentally, it is important for me to stress the art in architecture to bring harmony.
If conversation be an art, like painting, sculpture, and literature, it owes its most power charm to nature; and the least shade of formality or artifice destroys the effect of the best collection of words.
The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust. The air one breathed was saturated with earthy smells, and the grass under foot had a reflection of the blue sky in it.
Art itself, in all its methods, is the child of religion. The highest and best works in architecture, sculpture and painting, poetry and music, have been born out of the religion of Nature.
I cannot endure to waste anything as precious as autumn sunshine by staying in the house. So I spend almost all the daylight hours in the open air.
Few enjoyments are given from the open and liberal hand of nature; but by art, labor and industry we can extract them in great abundance. Hence, the ideas of property become necessary in all civil society.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for me it always starts in my mind as a sculpture.
Once I have the finished sculpture, I’ll put it out on the street or in nature or somewhere where it interacts with the environment. Really it’s kind of the idea of turning the street into a stage and this sort of urban theater has a life of its own. If you have creative drive, and you need to manifest it, then you need some sort of medium to do that through. For me, it worked out with sculpture, and tape just is a means of doing sculpture.
I wanted to see something in full daylight; I was sated with the pleasure and comfort of the half light; I had the same desire for the daylight as for water and air. And if seeing was fire, I required the plenitude of fire, and if seeing would infect me with madness, I madly wanted that madness.
We belong to no cult. We are not Nature Lovers. We don't love nature any more than we love breathing. Nature is simply something indispensable, like air and light and water, that we accept as necessary to living, and the nearer we can get to it the happier we are.
Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.
I'd been to Stourhead and was inspired by the perfect parity between architecture and art; in fact, the architecture is the art. I wrote a piece called 'Not Sculpture Park,' because most of these things become car parks for bought-in sculpture. The artists should be working with the site, not just plonking pieces down.
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