A Quote by Henry Rollins
I think young people should travel and travel often to other countries... like I do.
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I think young people should travel and travel often to other countries like I do.
People often ask us what we get by our frequent travel to countries. I want to tell them we do not travel to have fun; we travel to build our relationship with other countries, and it is because of our ties with these countries that we were able to rescue 7,000 people from Yemen.
When you travel with the president, especially when you are traveling to foreign countries, the people that you travel with really become your family pretty quick. ... Most of the people who travel with me, they knew when I would get a stomachache.
If you want to know the reality of life, then you should travel. At first travel your country, after that start travelling the world. Travel to know your surroundings so that we can say that you are an aware person. Nature, people and culture are calling you, so travel.
He didn’t really like travel, of course. He liked the idea of travel, and the memory of travel, but not travel itself.
We travel, initially, to lose ourselves, and we travel, next, to find ourselves. We travel to open our hearts and eyes. And we travel, in essence, to become young fools again—to slow time down and get taken in, and fall in love once more.
There's no neutral language about travel. Either travel is described in ways that make it sound kind of shallow or just glossy or silly or a way for rich people to spend their time; or else travel is often described in quite derogatory ways, you know, like immigrants swarming across borders, for instance.
I see a lot of women who can't travel when they're young, and then their kids grow up and they become amazing adventurers. Travel is not only for the young. Sometimes it's wasted on the young.
What is interesting to me, as I travel, is that exactly the same agenda is being implemented in every country I travel to. Because people from different countries don't talk to each other and the international media are being used to bring about the changes desired by the global elite, nobody realizes this.
There has been a real influence on young people, whose travel is experiential. For them, their values change when their experiences change; travel is like a university without walls.
Ah! Young people, travel if you can, and if you cannot - travel all the same!
I know it's not strictly sex that accounts for my straying the motive usually attributed to men. I think it's just too tempting to have two lives rather than one. Some people think that too much travel begets infidelity: Separation and opportunity test the bonds of love. I think it's more likely that people who hate to make choices to settle on one thing or another are attracted to travel. Travel doesn't beget a double life. The appeal of the double life begets travel.
Unlike some of the time-travel movies I love, like 'Primer' or '12 Monkeys,' 'Looper' is not about time travel. It's about this situation that time travel creates and the people dealing with that situation. So narratively, the big challenge was to have time travel get out of the way.
We travel, initially, to lose ourselves; and we travel, next to find ourselves. We travel to open our hearts and eyes and learn more about the world than our newspapers will accommodate. We travel to bring what little we can, in our ignorance and knowledge, to those parts of the globe whose riches are differently dispersed. And we travel, in essence, to become young fools again- to slow time down and get taken in, and fall in love once more.
My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection.
Prague is not, strictly speaking, travel writing but it is, among other things, an excellent example of what travel writing is becoming, if indeed it hasn't already done so. . . . People are no longer so easily satisfied by the mere travel impressions of some outsider much like themselves. Instead they gravitate towards writers who actually have lived not simply in, but inside, a location for an extended period, as one lives inside one's clothes.
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