A Quote by Henry Rollins

Luckily for me, I genuinely like my audience. They really are a good bunch. — © Henry Rollins
Luckily for me, I genuinely like my audience. They really are a good bunch.
The Apollo Theatre was a difficult audience, and if they didn't like you, they would let you know. Luckily, they liked me.
I did record a bunch of stuff, but the thing that usually stops me from doing that is that I'm a terrible singer. I made a bunch of instrumental music, and it feels really good, but just as a singer, I'm not good.
I have this weird optimism that when things are not good - like, really, genuinely not good - that we shall persevere.
It hasn't been a conscious thing, like, 'I don't want to listen to a bunch of dudes,' but I genuinely like music by women better.
Genuinely good remarks surprise their author as well as his audience.
I know there are people who don't like their audience or like the experience of being recognized or celebrated, but my audience has been very good - they don't bother me and when they do contact me it's usually on the nicest possible terms.
Lust is the sin that gets me excited. Luckily, because I'm married, I also get really good jewelry out of it.
I make a great part of my living by traveling and speaking. To me, it's like being a politician, you meet your audience, you constantly see the people and they're getting younger for me which is really, really encouraging. I get older and my audience gets younger. It couldn't be better.
I think, when all bands start, when you're on your first album you have the benefit of hoovering up people who genuinely come across the music and really like it, but also those sort of 'floating voters' who just like pop music when they're young. And I think that when you get to your fourth album, those floating voters have dissipated and you're left with a core audience, and at that point you've really got to get your act together and move on to something else to keep afloat, or you'll just shrink with your core audience.
When I did '21 Jump Street,' I felt like I was a part of something great, but on a very large scale. Working with people that genuinely want to make good art or good work or a good film, that's what keeps me going.
It takes a lot of time and good editors, which luckily we have, to make me look like Jamie Tartt.
I truly think a long career is to keep the audience guessing and not being able to be boxed, and for me, I'm not hell-bent on playing the lead in things as long its an interesting character with phenomenally talented people, and it's a script that I feel is genuinely innovative, creative, and potentially interesting for an audience.
I genuinely like haggis. Everybody told me I was supposed to hate it, but I really did enjoy it.
I was really surprised to see how critical the Malayali audiences are. It is really overwhelming that people genuinely want good scripts and do not miss a chance to applaud good scripts.
Sometimes critics disagree with the audience, and that's fine. I make movies for the audience. I guess I hope that the critics like it, but on the other hand, I just really want the audience to like it.
I didn't feel like gymnastics were part of The Cars. I certainly philosophically didn't want to prod the audience to react to anything. To me, it was more like negative theater. We didn't really talk to the audience. I didn't see that being a part of this band.
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