A Quote by Henry Wadsworth Longfellow
Critics are sentinels in the grand army of letters, stationed at the corners of newspapers and reviews, to challenge every new author.
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So many book sections in newspapers and magazines used to be lively and vibrant places. Now they are gone. You just don't see many reviews anymore. I can't control that, so I don't worry about it. I just try to do what I do and write books that people find every entertaining. I don't worry about the critics.
The critics have been writing me off for 20 years. That's nothing new. As far as I know I still have plenty of fans and sell lots of records. Do I care what critics say about me? No, and I don't read reviews.
I wanted to do 'Texas Trilogy' on stage. But it didn't do well in New York. In fact, it did very badly there, thanks to the critics. It was said that Preston Jones, the author, died of ulcer complications, but the truth was that the critics killed him.
The critics gave me bad reviews on every movie I made.
When critics love your film, you love critics. When they hate your film, you hate critics. It's the same everywhere, but maybe especially in France, where we have pretty good critics, except for three or four newspapers that are really dogmatic.
Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself.
I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
The smaller newspapers probably won't have any critics at all. Maybe that's not such a bad thing because there's a certain level of seriousness that you can't get with a small newspaper for critics.
Gone are the days when a publisher could take out an ad, count on a few reviews, and have an author do a couple of signings. Nowadays, readers want to feel a connection with an author.
I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.
I read the art reviews of my work. Some critics understand my art correctly, while some don't. I simply ignore the reviews written by the latter.
Some reviews give pain. This is regrettable, but no author has the right to whine. He was not obliged to be an author. He invited publicity, and he must take the publicity that comes along.
Your little army, derided for its want of arms, derided for its lack of all the essential material of war, has met the grand army of the enemy, routed it at every point, and now it flies, inglorious in retreat before our victorious columns. We have taught them a lesson in their invasion of the sacred soil of Virginia.
I love competing against the best players. I have a huge challenge, and that's to win a U.S. Open and complete the Grand Slam. I enjoy that challenge. Every year it comes around, I get excited to try to conquer that opportunity. I love it.
I moved from New York to El Paso in 2015, just before my senior year. I was super nervous. My mom, she's in the Army, and she got stationed at Fort Bliss. We packed everything up and drove all the way to El Paso.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
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