A Quote by Henry Fairlie

There is a middlebrow snobbery in America that praises everything on public television and disdains everything on the commercial networks as a blight. — © Henry Fairlie
There is a middlebrow snobbery in America that praises everything on public television and disdains everything on the commercial networks as a blight.
It's no accident that Julia Child appeared on public television - or educational television, as it used to be called. On a commercial network, a program that actually inspired viewers to get off the couch and spend an hour cooking a meal would be a commercial disaster, for it would mean they were turning off the television to do something else.
Television viewership has been declining for a number of years. The internet has been blamed. Everything has been blamed. Except for what I think the problem is: that the networks own the shows, and they completely think that they make them. They don't any longer let the people who make shows just make them. The networks have notes about everything. They are intimately involved in every aspect of the process. And I think it's hurt the process.
In television - not film, and not factual, nothing else - within television, likeability is everything, and relatability is everything.
Just because we say networks are important doesn't mean that networks explain everything. We're just adding additional information. Networks don't work like a match - they work like a magnifying glass.
By 1988, I'm seeing this commercial phenomenon beginning to show up. Hardware makers are selling routers to universities so they can build up their campus networks. So I remember thinking, 'Well, how are we going to get this in the hands of the general public?' There were no public Internet services at that point.
When you're wanting to delve into something, it's the one thing that cable television lets you achieve, in a way where you can have long form. There are no defined chapters. There are scenes, but everything's not bookended by a Chevy commercial.
I think it's brought the world a lot closer together, and will continue to do that. There are downsides to everything; there are unintended consequences to everything. The most corrosive piece of technology that I've ever seen is called television - but then, again, television, at its best, is magnificent.
America’s founding ideal was the principle of individual rights. Nothing more-and nothing less. The rest-everything that America achieved, everything she became, everything 'noble and just,' and heroic, and great, and unprecedented in human history-was the logical consequence of fidelity to that one principle.
Commercial television has underestimated the intelligence of the public.
The truth is... everything counts. Everything. Everything we do and everything we say. Everything helps or hurts; everything adds to or takes away from someone else.
The great networks are there to prove that ideas can be canned like spaghetti. If everything ends up by tasting like everything else, is that not the evidence that it has been properly cooked?
There is state-run television in Russia, which is more loyal to the state, as it always is with state television in any country. We have private owned networks; some of them are oppositional. We have thousands of regional networks that, in their regions, are more watched than the so-called federal stations.
This is the evolution of television. It just keeps evolving from three networks, four cable networks, satellite. Now there's Internet channels and the phone.
Try to understand what I am saying: everything is dependent on everything else, everything is connected, nothing is separate. Therefore everything is going in the only way it can go. If people were different everything would be different. They are what they are, so everything is as it is.
In the US, commercial interests stole the airwaves early on, before public broadcasters could get a stab at it. And the deal that was made with public broadcasting was, "Okay, we'll allow there to be a handful of public stations to do the educational programming that commercial broadcasters don't want to do, but the deal is they can't do anything that can generate an audience, anything that's commercially viable." Anything they do that could be commercially viable could be considered unfair competition to commercial interests and should only be on the commercial stations.
I think everything keeps changing. There was a time when television was a bad thing for actors and it meant that you could only do television, and now we see everyone does television.
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