A Quote by Henry Cho

I'm going old school. Adult comedy but you can have your kids in the room. Kind of Andy Griffith meets Bill Cosby meets Bob Newhart. Also my character isn't an idiot as all the rest of the sitcoms recently have the dad character like Homer Simpson.
Dad had a music store, and he'd often bring home comedy albums that I would listen to. I started listening to Bob Newhart and Bill Cosby, and developing taste. They really influenced my style of comedy.
When Steampunk meets adventure and adventure meets comedy and comedy meets ingenuity and ingenuity meets charm and charm meets wonder and wonder meets pleasure the result is a Triumph. Dr Grordbort is the future. And the past. Which makes an ideal present.
I come from a time when people like Bob Newhart and Bill Cosby told stories that were devastatingly funny without being off-color.
Growing up, I loved Bill Cosby and Bob Newhart. They are a big reason I'm a storyteller because they are two of the best.
It went from Bob Newhart to Flip Wilson to Bill Cosby to Richard Pryor to George Carlin to Cheech and Chong. I had all these records.
As a kid, I wanted to be a musician but also aspired to be Andy Griffith's lawyer character, Ben Matlock.
'Huge' is a show about self-discovery and follows kids at a weight loss camp. My character is shy, so when she meets Nikki Blonsky's character Willamena Rader, who's not, they become friends.
I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.
My standard comment is, If you don't want your kids to be like Bart Simpson, don't act like Homer Simpson.
My standard comment is, 'If you don't want your kids to be like Bart Simpson, don't act like Homer Simpson.'
We all like to congregate at boundary conditions. Where land meets water. Where earth meets air. Where bodies meet mind. Where space meets time. We like to be on one side, and look at the other.
You can't erase Bill Cosby's contributions. That's the conflict. He's one of the most influential comedians of all time, and 'The Cosby Show' is one of the most influential sitcoms ever. When I watched as a kid, I wanted Cliff to be my dad. Everybody did.
I'd like to play a mixture of Lucille Ball meets Murphy Brown meets Glenn Close on 'Damages,' to keep a little bit of the darkness in there. I like dark comedy a lot.
Our public portrayal of fathers has shifted during my life. TV fathers have 'evolved' from real people like Sheriff Andy Taylor, Beaver's dad Ward Cleaver and Heathcliff 'Cliff' Huxtable, to cartoon dads like Homer Simpson and Seth MacFarlane's caricatures in 'American Dad!' and 'Family Guy.'
The Weeknd's 'Can't Feel My Face' is very experimental. It's pop meets urban meets indie meets alternative.
I liked comedy as a kid. When I was a kid, I'd go to sleep to, like, Bill Cosby albums every night. I'd listen to 'Bill Cosby Is A Very Funny Fellow... Right!' and 'Wonderfulness,' which are two of his most famous albums. Then the next night, I'd flip them over, 'cause it was the old stackable turntable.
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