A Quote by Georg Buchner
How many women does one need to sing the scale of love all the way up and down?
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How many times have I heard in France of women who have been married for many years and the husband has had mistresses and you ask, "Why does she put up with it?" Because she loves him! Love is justification for so many things Americans would never put up with.
It's so easy to practice out of context. For example, if you're learning a scale, you take that scale and you sit in your room and you go up and down the fretboard, over and over. You've gotta do that, because you need to get that scale working. But you have to keep in mind that that's not the finished product. That's the starting point.
If family and society tell you its unfeminine, not really womanly, to be aggressive, to speak up, to have strong opinions, to take up space, then women won't trust their own voice, because to be heard and to be influential, you've got to have a way to sing out with passion and love and self-trust - to sing out your song for everyone to hear.
If editors truly want to improve their byline ratio, they need to stop lamenting the fact that few women journalists send them cold pitches and start taking a hard look at their stable of regular contributors. How many women are on the masthead? How many women columnists or bloggers are on the payroll? This is how real change is going to happen.
We're told all the time to give up everything for love. That's the Western notion of what love is - love conquers all, all you need is love. And there are so many different kinds of outside, conflicting pressures on women.
I don't know why femininity should be associated with weakness. Women should be free to express who they are without thinking, 'I need to act like a man, or I need to tone it down to be successful.' That's a very good way to keep women down.
Lately I've been thinking about who I want to love, and how I want to love, and why I want to love the way I want to love, and what I need to learn to love that way, and how I need to become to become the kind of love I want to be. And when I break it all down, when I whittle it into a single breath, it essentially comes out like this: before I die, I want to be somebody's favorite hiding place, the place they can put everything they need to survive, every secret, every solitude, every nervous prayer, and be absolutely certain I will keep it safe. I will keep it safe.
How can you sing a line like, 'I've fallen out of love' when you're 18? You need to experience something of life before you can sing it.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
Women just never think their lips are big enough, even when they are really big. The first thing I always hear from women when they sit down with me is, 'I need to fill my lips.' It's almost crazy how many women say that to me.
If you love women, and you want to sing about love, don't feel the need to say 'he.' Don't feel the need to adapt to the society or the culture.
For many, many years I wouldn't sing 'My Way.' It seemed pretentious for me to sing [my father's] song 'My Way.' Now it must be in the show to help us tell the story.
As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: 'Love has no ending. 'I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, 'I'll love you till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky.
The bottom line is, the more we have a cadre of women moving up the scale, and it doesn't seem threatening, and people realize that women actually work much harder than men, and realize that they need more women in these jobs, I think that goes away.
For me reading the book [The Exorcist], I had the same questions that everyone else had. How does she jump up and down off the bed? How does her head spin around? How does she throw up?
The big message is that we need to reimagine and re-engineer how we work - what does work mean and how do we measure what's good? The second thing we need to reimagine is our relationships - who does what and why? One of the biggest things that has helped me and my husband is coming up with a common set of standards about what it takes to run our house, what is a fair way to divide tasks, and how are we going to keep each other accountable?
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