A Quote by Herman J. Mankiewicz
We are a breed apart from the rest of humanity, we theatre folk.We are the original displaced personalities, concentrated gatherings of neurotics, egomaniacs, emotional misfits and precocious children.
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Politics, as I never tire of saying, is for social and emotional misfits, handicapped folk, those with a grudge. The purpose of politics is to help them overcome these feelings of inferiority and compensate for their personal inadequacies in the pursuit of power.
One of the troubles of our times is that we are all, I think, precocious as personalities and backward as characters.
All nationalisms are at heart deeply concerned with names: with the most immaterial and original human invention. Those who dismiss names as a detail have never been displaced; but the peoples on the peripheries are always being displaced. That is why they insist upon their continuity - their links with their dead and the unborn.
The artist always has been and still is a being somewhat apart from the rest of humanity.
Campaigning actress ASHLEY JUDD refuses to 'breed' with her racing star husband DARIO FRANCHITTI while there are starving children in the world. . . . She says, 'It's unconscionable to breed with the number of children who are starving to death in impoverished countries.'
I am part and parcel of the whole and cannot find God apart from the rest of humanity.
Indeed, my conclusion from a lifetime of psychohistorical study of childhood and society is that the history of humanity is founded upon the abuse of children. Just as family therapists today find that child abuse often functions to hold families together as a way of solving their emotional problems, so, too, the routine assault of children has been society's most effective way of maintaining its collective emotional homeostasis.
Everything has a personality: everything sends an emotional signal. Even where this was not the intention of the designer, the people who view the website infer personalities and experience emotions. Bad websites have horrible personalities and instill horrid emotional states in their users, usually unwittingly. We need to design things-products, websites, services-to convey whatever personality and emotions are desired.
Youth theatre isn't just about a precocious child that wants to sing and dance in front of people. It's for everyone; it's about a community, it's about being supported by your peer group. You learn skills - not just acting but all the other sides - working in the TV, film, and theatre industry.
This is a racist remark, as if we, the Palestinians, cannot be a part of humanity to share the rest of humanity and the rest of the international community our creativity in the field of fashion.
I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.
Misfits aren't misfits among other misfits.
Sixties folk rock was my original muse and the folk audience-people who listen to music off the beaten track-fostered my career. I definitely don't want to abandon the genre but I also need to make sure I'm Dar Williams first.
What sets you apart from the rest of humanity is your ability to give visual form to an idea - the skill to transform it into something more than merely the insight or perception alone.
I have witnessed firsthand the anguish of this humanitarian tragedy - in Palestine, Iraq, Syria, Pakistan, and other conflict and post-conflict zones. The destruction of lives and hopes, the emotional trauma, and the economic, social, and political marginalization of the displaced, the human insecurity, with real and potentially devastating consequences over generations, in ever-widening arenas of conflict. We can and must ensure the human rights of the displaced. That begins by making their voices heard.
I hate all children of precocious talent.
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