A Quote by Glen Campbell
I'm really not a songwriter, so if I hear a song, I feel it and like it, I'll do it. But I'll make it the way I want to hear it.
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Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
I want you to hear how I can tell stories. I want you to hear how I can make these records about these females and make them feel every way I can. I want you to feel my magic. I want you to respect me and my artistry.
I really get inspired by songs. Like, if I hear a thug "Want to kill ya" song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.
I really get inspired by songs. Like, if I hear a thug 'Want to kill ya' song, I'm ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I'm very animalistic when it comes to stuff like that. Very basic emotions.
When I enter a club and hear my song being played, I feel like it's not really my song and when I see people dancing to my song, I feel like jumping up on stage and treating them to drinks.
Usually when a song comes to me, I don't ask a lot of questions; I hear something, and I just let it out in song. It's like making a salad. Everything I hear, and everything I am, I mix together in a different way in each song.
Some people have said that I can 'hear' a hit song, meaning that I can tell the first time a song is played for me if it has potential. I have been able to hear some of the hits that way, but I can also 'feel' one.
I feel like, all things aside, it's a really great time to be a woman. And I don't want to hear stories from, like, white dudes anymore. Like, not really. I want to hear stories from women.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.
When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.
You hear a song like 'Wait For It,' you hear a song like 'Dear Theodosia' - if you get one of those songs in a musical - one - it's worth dropping everything to sing that one song.
When I heard 'Jesus, Take the Wheel,' I was like, OK. Some people look at it as a song written for an American Idol, Carrie Underwood, who is wonderful. But when you're a songwriter listening to a song, you hear something else. I heard that song, and wow.
The bottom line is fans just want to hear a good song. Some people will look underneath to see who wrote it, but they just want to hear a good song. And if they don't hear it, they're not going to buy it just because you wrote it.
If I hear one of my songs by anybody, it's a dream come true every time for me as a songwriter, because I want to write a song, I want to write a song that the world can sing and will always sing.
It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.
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