A Quote by Glenn Tipton
Sadly, I've seen a lot of bands hit that sort of peak and then eventually start supporting again, you know, which we will never do. We always put a lot of thought into the way that we are going to go, and we always change.
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There's a lot of expectation in the Middle East that post-Obama there will be a sort of tougher U.S. line on Assad, there will be more intervention and so forth. But I don't know if that's going to be fulfilled. If there is more intervention, then I think it's going to go the same way as these other interventions that we've seen in Iraq, we've seen, to a degree, in Syria, we've seen in Libya, you know, that they do really badly. They make bad situations worse.
A lot of street dudes, you know their grandma go to church every Sunday. A lot of people in the pen, a lot of that come from them running away from that. They seen they grandma always going to church, mama always going to church, but they still struggling. This the reality of some peoples' life.
There's a lot of hidden gems in the UK. You sometimes have to dig deep to find them, but there's still a lot of great guitar bands out there. So, in a way it makes you appreciate it more, but then a lot of bands do go missing also.
My father was a studio musician, played for a lot of people like Frank Zappa and a lot of R&B bands, and was always gone doing that. Then when he was home, he was practicing. And so I always saw it, and I always wanted to do what he did.
I will create an economic machine the likes of which we haven't seen in many decades. And people, will again go back to work and they'll make a lot of money. And we'll have companies that will grow and expand and start from new.
I've always thought what was I before I was this and then what will I be when I leave here. I really had a hard time always accepting that at some point I'm just going to turn to dust and ashes and never be again and that the journey would stop. I believe that we are souls, kind of like a version of what our movie presents, and we come here again and again until we arrive at our highest evolution, and what happens after that I don't know.
Nerves are always a big problem for me, which is why I loved doing American sitcoms. Because you know when you do the take in front of the audience that you're going to do it again afterwards. A minute after you finish, you just go and do it again. So, there's that sort of safety net. And then if you made a little mistake or two, they'll go pick it up, so there's nothing to worry about.
I long for a kind of quiet where I can just drift and dream. I always say getting inspiration is like fishing. If you're quiet and sitting there and you have the right bait, you're going to catch a fish eventually. Ideas are sort of like that. You never know when they're going to hit you.
I think if anything, the fact that it's popular right now makes me go: "Well, I guess I'm going to start doing something else then in the next few years." I dunno, it almost feels hackneyed at this point. To start a premise by saying, "I did this awkward thing." But then again, awkwardness and feeling alienated are always going to be a part of comedy. Alienation, I suppose, can't be hackneyed because it will always exist.
Going into a game, I know that I'm going to run a lot. I know I'm going to have a lot of volume, and I know that I'm going to get hit a lot, which is great. Sometimes we try to deliver some blows, too, try to break as many tackles as possible. We know it's going to hurt the next day. That's why we love the game.
I seen an interview with Kobe; he said what separated him from a lot of people was everyone thought 30 points was a lot. He said he never set himself a limit, and that always sticks in my head. He said he'd score 100 if he could. So he never had a limit, I don't put a limit on anything.
I think I tend to live in sort of a meta state of existence where I'm always analyzing and analyzing whatever I'm going through at any given moment, and a lot of times I'll reflect back on and go, 'Oh look at that - if I acted this way when that happened, I might not have thought of that that way.'
I've seen fire and I've seen rain I've seen sunny days that I thought would never end I've seen lonely times when I could not find a friend But I always thought that I'd see you again.
You see a lot of bands and a lot of artists making that mistake: They become successful for doing something, and then they change everything. They change the people; they change the approach. And then, all of a sudden, almost the essence of what you do is gone.
I made multiple leaps where there were no guarantees that I was going to be successful. By the way, I was not always successful. But I think if you go into something new with an open mind, and you let people around you know what you don't know, for the most part they're going to link arms with you. So you can't plan a career so closely that you never make a move unless you know that it's going to work. There's always going to be risk involved in change.
Cooking has always sort of been my way to soothe the soul, if you will. I grew up around my great-great-grandmother cooking, and that's eventually where I learned a lot of things. So food has always been used to ease and comfort.
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