A Quote by Howard Jacobson

I'm an old-fashioned English lit. man. Straight down the line - it's George Eliot, it's Dickens, it's Dr. Johnson, it's Jane Austen. — © Howard Jacobson
I'm an old-fashioned English lit. man. Straight down the line - it's George Eliot, it's Dickens, it's Dr. Johnson, it's Jane Austen.
There's such a wealth of literature from the 18th century and 19th century, George Eliot... Jane Austen... that's all about a genteel high society, relationships, all of that stuff. There wasn't ever really, apart from Dickens, a literary evocation of working class life.
My role models were childless: Virginia Woolf, Jane Austen, George Eliot, the Brontes.
I once rented the Georgian town house that Jane Austen lived in down by the Holburne Museum - so I lived in Jane Austen's house, and slept in Jane Austen's bedroom. You can walk along these Georgian streets and it's like you're in a Jane Austen period drama.
Look at Jane Austen. Her characters derive in a reasonably straight line from fairy tales.
I'm totally in love with Jane Austen and have always been in love with Jane Austen. I did my dissertation at university on black people in eighteenth-century Britain - so I'd love to do a Jane Austen-esque film but with black people.
All I care about is that people who like me think I'm funny. I get on with writing pretty straight-down the line, old-fashioned stuff.
As I've gotten older I've become a devotee of 19th-century authors, such as Charles Dickens and George Eliot.
What’s ready? Was Steinback ready? Hemingway? Shakespeare? Dickens? Jane Austen? They just did it, didn’t they?
I've been fortunate in that I never actually read any Jane Austen until I was thirty, thus sparing myself several decades of the unhappiness of having no new Jane Austen novels to read.
I'm an advocate of the great Dr. Johnson, the English man of letters who said that patriotism was the last refuge of the scoundrel.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
I am a Jane Austenite, and therefore slightly imbecile about Jane Austen. My fatuous expression, and airs of personal immunity-how ill they sit on the face, say,of a Stevensonian! But Jane Austen is so different. She is my favourite author! I read and reread, the mouth open and the mind closed. Shut up in measureless content, I greet her by the name of most kind hostess, while criticism slumbers.
I won't go so far as to say that novels sell in inverse proportion to their worth, for just occasionally, someone like Dickens or George Eliot comes along to prove the opposite.
One doesn't read Jane Austen; one re-reads Jane Austen.
At university, one of my areas of study was Victorian literature, so I decided to see if I could write a novel as carefully planned and constructed as those of George Eliot, but with the narrative energy of Dickens.
Jane Austen wrote six of the most beloved novels in the English language, we are informed at the end of Becoming Jane, and so she did. The key word is beloved. Her admirers do not analyze her books so much as they just plain love them to pieces.
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