A Quote by Howard Stern
And rather than hide that, I would rather put that out on the radio and let someone see the full range of emotions. If you're going to be strong on the radio, you got to let it all out, even the ugly stuff. And you can't apologize for it.
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Radio in my beginning days was going into a room for four hours, playing a bunch of music, and screaming about the artists... radio now has come out of the radio, on to the net, and on to video and on stages; it's a multiplatform thing. It's nothing I expected ever to see.
The first time I started choreographing was in the dark, in my living room, with the lights completely out, to some popular music on the radio. I put the radio on full blast and I started moving. I didn't know what it looked like. I didn't want to see it... I had to start in the dark.
When my generation, those early days of television - I know I've been thinking about this lately - my two flashes of me as a little boy. One, I'm standing in front of the radio freaking out that Nat King Cole's singing 'Lady of Spain', just this stuff coming out of the radio, and Guy Williams singing 'Wild Horses' coming out of the radio.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
I always loved music and would listen to the radio and watch out for new stuff. When I was about nine or ten, I would go around to me friend's house on a Sunday when the top twenty was broadcast on the radio at 6 P.M., and we would tape it on a cassette, and then we would take turns in sharing it over the next week.
I would rather there's somebody who is just a wee bit down in the dumps believing that they've got depression and going to the doctor and getting it checked out, than not, I'd rather that everybody was given the benefit of the doubt.
The thought of people in this day and age sitting down to listen to a radio variety show on Saturday evening is rather implausible and was even more so in 1974 when we started “A Prairie Home Companion.” Thank goodness Minnesota Public Radio was too poor to afford good advice or the show never would've got on the air. We only did it because we knew it would be fun to do. It was a dumb idea. I wish I knew how to be that dumb again.
I wear my emotions on my sleeve. If I keep that bottled up, it's not going to be good. It's all going to come out at some point in time. I would rather it come out in little bits and pieces than me try to hold it in.
It takes a great deal of character strength to apologize quickly out of one's heart rather than out of pity. A person must possess himself and have a deep sense of security in fundamental principles and values in order to genuinely apologize.
To the extent that our political dialogue is such where everything is under suspicion, everybody is corrupt and everybody is doing things for partisan reasons, and all of our institutions are full of malevolent actors - if that's the storyline that's being put out there by whatever party is out of power, then when a foreign government introduces that same argument with facts that are made up, voters who have been listening to that stuff for years, who have been getting that stuff every day from talk radio or other venues, they're going to believe it.
You gotta start somewhere. It is what it is. People listen to Soundcloud more than the radio. So why would you put your music on the radio first?
When I was making my first record there would be something that would come out that would inspire you, you know? You'd see someone on TV or on the radio.
I'd just much rather see an ugly person take the trash out than see somebody really pretty taking the trash out.
I just love doing radio. I've learned to be more vulnerable through radio than even I've been through books and writing lyrics. It's a different type of experience where, if I'm writing a lyric, I can sort of hide behind it a little bit.
I would rather write something that's authentic to me than something that'll be likely to get played on the radio but doesn't have any substance to it. People can see through that really quickly.
'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.
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