A Quote by Howard Hodgkin

Eventually, a collection ceases to be a personal indulgence and assumes its own identity. In fact, it becomes a thing in its own right - rather like Frankenstein's monster.
It's interesting, but because I have my own collection, I actually almost never purchase jewelry unless it's sort of playful, whimsical pieces that are more fashion, a little less investment-oriented. Most of my personal jewelry collection is from my own collection. The pieces that get layered in tend to be gifts from my husband.
My favorite classic novel may be 'The Invisible Man.' It's smart and genuinely funny. Otherwise, my favorite character is probably Frankenstein's Monster/Frankenstein the Monster.
I've really come into my own as an artist. I'm much more sure of my identity and understand it much better, and have accepted the fact that I like to jump around a lot in terms of who I am and what kind of music I create, and that it is okay - in fact, that is my main identity, the fact that I do that.
You know honestly I think there's a Dracula, a Wolf Man, and a Frankenstein's Monster in all of us. They are sides of our own character so that's why I think we can relate to them in terms of a 'I know how that feels' kind of thing.
This patriotic revolution where people want to find their own identity are not racist but want to fight for the preservation of their own people. Their own country, their own values. Their own money. Their own borders. This is such a positive thing.
Ever since I was a child, I always had insecurity or suspicions about my own personal identity. That's why I started going to a lot of movie theaters, because I felt more comfortable there than at school. Now, the search for a personal identity is becoming a common topic for young Japanese people, and it's a big theme in their own lives. But it's been a theme in my life, as well, ever since I was young.
The first thing to make clear is that scientists, freely making their own choice of problems and pursuing them in the light of their own personal judgment, are in fact co-operating as members of a closely knit organization.
My collection with Missguided is all about doing you - it was completely my process; I designed the whole thing and didn't let anybody make decisions for me. I'm creative in my own right, and I wanted the collection to reflect that. The clothes are very much based on my daily wear and are very versatile, as they can be dressed up or down.
I love Monet: his 'Water Lilies' would look great on my wall. But would I prefer to see money helping kids get better from cancer rather than spending it on a work of art for my own personal indulgence? Yes, I probably would.
That which especially distinguishes a high order of man from a low order of man, that which constitutes human goodness, human nobleness, is surely not the degree of enlightenment with which men pursue their own advantage; but it is self-forgetfulness; it is self-sacrifice; it is the disregard of personal pleasure, personal indulgence, personal advantage, remote or present, because some other line of conduct is more right.
The most natively interesting object to a man is his own personal self and its fortunes. We accordingly see that the moment a thing becomes connected with the fortunes of the self, it forthwith becomes an interesting thing.
Every child has a right to its own bent. . . . It has a right to find its own way and go its own way, whether that way seems wise or foolish to others, exactly as an adult has. It has a right to privacy as to its own doings and its own affairs as much as if it were its own father.
Vanity is so frequently the apparent motive of advice that we, for the most part, summon our powers to oppose it without very accurate inquiry whether it is right. It is sufficient that another is growing great in his own eyes at our expense, and assumes authority over us without our permission; for many would contentedly suffer the consequences of their own mistakes, rather than the insolence of him who triumphs as their deliverer.
The fact that I get to write and direct my own personal story is an amazing thing.
If I'm working on a set of songs, and thinking about putting them together in a collection, I start to think about what they have in common. Either on purpose or without meaning to, I shape them all in the same kind of way, because I'd rather the album feel like a galaxy of things that all have to do with each other. I do that with sonic elements, too - it's a matter of each record having its own specific identity.
I've never really found it that important to focus too much on the fact that I'm a female. I feel like if you make a thing of it then it becomes a "thing." For me personally, gender has always been one of the last things on my mind and I would much rather let the music do the talking. It was definitely surprising at the start to see how many people often got shocked that I would do the entire part of the composition/production/mixdown process on my own, but I don't think women are pigeonholed as much these days.
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