A Quote by Howard Hodgkin

In the United States there has been a kind of a structure in the Modern art world. The New York School was nearly a coherent thing-for a minute. — © Howard Hodgkin
In the United States there has been a kind of a structure in the Modern art world. The New York School was nearly a coherent thing-for a minute.
I was in New York on September 11 when those planes hit the World Trade Center. At the time, it seemed like it was a local thing. But three or four days later, by the time we drove across the country in the bus, we realized it wasn't a local thing. You could really feel the states become united. We became the United States of America.
There is a massive apparatus within the United States government that with complete secrecy has been building this enormous structure that has only one goal, and that is to destroy privacy and anonymity, not just in the United States, but around the world.
There is a massive apparatus within the United States government that with complete secrecy has been building this enormous structure that has only one goal, and that is to destroy privacy and anonymity, not just in the United States but around the world.
I just saw a recent television program about art, and it was saying how from the end of the Second World War, so much of what our culture is comes from not just the United States in general, but New York in particular. In my case, I can't imagine my life without the extraordinary bebop jazz revolution in New York in late '40s and '50s.
Once one concedes that a single world government is not necessary, then where does one logically stop at the permissibility of separate states? If Canada and the United States can be separate nations without being denounced as in a state of impermissible ‘anarchy’, why may not the South secede from the United States? New York State from the Union? New York City from the state? Why may not Manhattan secede? Each neighbourhood? Each block? Each house? Each person?
Modern art is childish - not childlike, remember, childish; not innocent but stupid, insane, pathological. We have to get rid of this trend. We have to create a new kind of art, a new kind of creativity. We have to bring to the world again what Gurdjieff calls objective art.
There was a kind of cultural life in New York that wasn't as solidified as it is now, it wasn't as money-driven. If you look at the size of the successful art galleries compared to the size of galleries now - there was no such thing as the Gagosian Gallery or Pace Gallery. But it was a time when magazines were a vital part of American life, and Esquire gave me a free pass to every world - I could get to the art world, the theater world, the movie world. It allowed you to roam through the cultural life of New York City.
If we really care about safety we would close down WikiLeaks. We would treat the people at WikiLeaks as enemy combatants. We would declare that the kind of thing this private did is treason. WikiLeaks is not a fun and games event. WikiLeaks undermines profoundly the ability of the United States to work around the world. Why would you, if you were a foreigner thinking about helping the United States, why would you confide anything to an American when you know that it could end up in The New York Times based on some leak?
New York was always more expensive than any other place in the United States, but you could live in New York - and by New York, I mean Manhattan. Brooklyn was the borough of grandparents. We didn't live well. We lived in these horrible places. But you could live in New York. And you didn't have to think about money every second.
An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it
An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it.
The New York Times said, "There are two superpowers in the world: the United States and the world peace movement."
Norwich is a fine city. None finer. If there is another city in the United Kingdom with a school of painters named after it, a matchless modern art gallery, a university with a reputation for literary excellence which can boast Booker Prize-winning alumni, one of the grandest Romanesque cathedrals in the world, and an extraordinary new state-of-the-art library then I have yet to hear of it.
I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
That's what I'm doing here, throw out New York and California, Donald Trump wins the popular vote by nearly three million votes. But you can't throw out New York and California. This is exactly why we have the Electoral College. Had there been no Electoral College and had the election be defined by the popular vote, I guarantee you that the two states where the candidates would have been all the time are New York and California. There would have been some time in Texas and they would have ignored the vast majority of people in the country.
In the Islamic world, the U.S. is seen in two quite different ways. One view recognizes what an extraordinary country the U.S. is.The other view is of the official United States, the United States of armies and interventions. The United States that in 1953 overthrew the nationalist government of Mossadegh in Iran and brought back the shah. The United States that has been involved first in the Gulf War and then in the tremendously damaging sanctions against Iraqi civilians. The United States that is the supporter of Israel against the Palestinians.
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