When I was working as a stylist, I was called in to meet the band All Saints. I opened the door, tripped and landed in Nicole's lap. Not a good start, but I got the job.
Elizabeth's voice had a door in it. When you opened that door you found another door, and that door opened yet another door. All the doors were nice and led out of her.
I finally got to junior high and I got to start saxophone. There were a few of us that were in the beginner band in sixth grade that made it to the advanced band, which was called the morning band at our junior high school in Staten Island.
The rest of the band tend to notice things like the door getting opened for the lead singer. And the door shuts on the rest of the band. The lead singer doesn't notice that, but the rest of the band does.
At 16, I got a part-time job selling double-glazing door to door. That was soul destroying but the worst part-time job I did was at university working on reception in a sexually transmitted disease clinic. Because no one else wanted to do it, they paid £8 an hour.
Once I heard Karunakaran was part of 'Lingaa,' I told him to somehow arrange for me to meet Thalaivar. The 'Jigarthanda' team met him when he was shooting in Shimoga. It was a memorable meeting, as he opened the door for us, sat, and answered whatever we asked him. And, I got to meet him twice in two days!
The first gig we ever played was in Halifax, Nova Scotia, where I'm from. I was in a band called the October Game, and we opened up for a Vancouver band.
I love having the door opened for me. Isn't that just polite? But the key is, would you then mind if I opened the door for you? The key is, chivalry should be consensual. Both parties should be feeling good about that.
I had a choice between working on Wall Street or doing consulting or working at a start-up, and I got a job at a start-up. I was one of the first employees there, and I did everything for them, and it was so much fun.
In '57, I got a job at the Blue Angel nightclub, and a gentleman named Ken Welch wrote all my material for me. I lived at a place called the Rehearsal Club that was actually the basis for a play called Stage Door.
The thing that helped me get into the film business was that I went to school in Athens, Georgia and managed to get on, um, working on music videos for a band called R.E.M. and that kind of opened up a lot of doors for me.
We've all heard that in life, when one door is closed, another is opened. Unfortunately, many of us are so focused on the darkness left by what has been lost, we never see the light coming through the newly opened door.
I had been working on some mechanical issues before I got called up. When I got called up I was focused on trying to be mechanically correct instead of enjoying the moment and competing like I had always done which is probably the main reason to why I wasn't very successful in my first start.
It's like freedom of speech - they can't tell you not to do it. When no one will put you on at a club or venue, you can go to the street, just start singing, and get a lot of good feedback from people as they walk by. I got really good at lip reading and seeing if a song is working. It was a good way to start.
When working abroad you work pretty hard, but with time off, this is the greatest job in the world. You drive. You explore Memphis, or wherever you've landed, or go and see Dr John, or the Californian landscape. And, yes, I've had a few good meals.
This is funny because I just had a job over the summer for VH1, a project I did called Strange Frequency where I got to play a Goth rock band singer.
Saints and ordinary folks are the same from the start. Inquiring about a difference is like asking to borrow string when you've got a good strong rope. Every Dharma is known in the heart.