A Quote by Gok Wan
There's a lot of psychology involved in my work, a lot of mind play going on when you try and convince someone to feel good about their bodies and have the confidence to walk down a catwalk naked when, initially at least, it's probably the last thing they'd plan to do.
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I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
It's been awesome going indie. I don't need to be on a major label. I love not having to walk into a specific radio person's office to try to convince someone to play my songs. At the end of the day, it's more work, but I've discovered that I like to get my hands dirty.
You're going to play a lot of tournaments during the year, a lot of traveling. If you have a good set of mind, you're committed to the work, you want to do that work, and you definitely got to do it. Doesn't matter if you have four, five, six losses in a row, that doesn't have to discourage you to stop all of a sudden.
The mind is a very intricate machine. It can store memories, past impressions, grudges, criticisms, judgments. It can hold a lot of stuff. In general, it's only really good at holding onto one thing at a time. Which is why, when we have a lot going on, we feel sort of stressed and we feel tension because the mind is busy trying to figure out what it should focus on first.
If and when I do get "down," the last thing on my mind is writing a song. Usually, being bummed just involves lying around on the couch and taking the bad weather personally. I only write songs when I feel good - or at least something approaching "good."
Anyway, there is a lot of really interesting work going on in the neuroscience and psychology of consciousness, and I would love to see philosophers become more closely involved with this.
I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.
I've been blessed over the years and I want to help guys to feel good about themselves when they're going for job interviews. You walk in for a job interview, you feel good about yourself, you look the part, you get that confidence going.
For me, it works best to plan just enough to come up with a good direction to head out in. Then I start down the path as soon as I can, without a very clear idea of what exactly I'm going to end up with. I try to leave a lot of time for flexibility and play and changing direction.
We're going to try and prove to the market that you can do a legal coin offering. If the SEC doesn't crack down, this party will be amazing - the biggest party in town for a long time. If they do crack down, a lot of people are going to feel a lot of pain.
I feel like 'The Last Jedi' is a lot of things that people aren't going to expect, which I think is a good thing.
There can be a lot of mind games going on between the players. When you're about to serve, people will try to throw you off your rhythm by taking a walk. If you're tired, you can't show that at all to an opponent.
As a group I thought we played connected. I feel like we had a lot of great shots, some great opportunities, and for us it is just bearing down a little bit and finishing. We believe in our team, for us we have confidence, we have respect and we know it is going to take a lot of hard work and playing together as a team.
Once you have a plan, you must sell it to the players. It is not enough to put it on the blackboard and say, 'Okay, here it is.' You have to convince the players that the plan is a good one and show them, in specific ways, why it will work. If you do, you send them out to the practice field with more confidence.
Do the stuff that only you can do. The urge, starting out, is to copy. And that's not a bad thing. Most of us only find our own voices after we've sounded like a lot of other people. But the one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can. The moment that you feel that, just possibly, you're walking down the street naked, exposing too much of your heart and your mind and what exists on the inside, showing too much of yourself. That's the moment you may be starting to get it right.
Write a lot. And I mean a ridiculous amount. You have to write so much that you don't mind throwing away and changing things that you've written - which is the second thing you have to do. A lot of young writers are very precious about their words. Don't be - you've got to be ready to burn stuff. You're not as good as you think you are, at least not yet. The more you write, the faster you'll write, and the less you'll mind throwing stuff out.
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