A Quote by Homer
Ruin, eldest daughter of Zeus, she blinds us all, that fatal madness—she with those delicate feet of hers, never touching the earth, gliding over the heads of men to trap us all. She entangles one man, now another.
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All things are in the hand of heaven, and Folly, eldest of Jove's daughters, shuts men's eyes to their destruction. She walks delicately, not on the solid earth, but hovers over the heads of men to make them stumble or to ensnare them.
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
She was darkness and he was darkness and there had never been anything before this time, only darkness and his lips upon her. She tried to speak and his mouth was over hers again. Suddenly she had a wild thrill such as she had never known; joy, fear, madness, excitement, surrender to arms that were too strong, lips too bruising, fate that moved too fast.
I believe in Amy Winehouse. I know she’s not with us anymore but I believe she was who she was and in that way she got it right. I would say an actress like Lauren Bacall also got it right. She never let anyone persuade her to be something she wasn't. She was strong. She always looked like she knew what she was doing.
Lady Gaga is still a human being, she was still among us! But now, she's a little monster, she says. She does her face a certain way. It's pretty startling. But she's a great girl. She's cool from what I remember.
The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter. ...I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book.
My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.
These bright roofs, these steep towers, these jewel-lakes, these skeins of railroad line - all spoke to her and she answered. She was glad they were there. She belonged to them and they to her. . . . She had not lost it. She was touching it with her fingertips. This was flying: to go swiftly over the earth you loved, touching it lightly with your fingertips, holding the railroads lines in your hand to guide you, like a skein of wool in a spider-web game - like following Ariadne's thread through the Minotaur's maze, Where would it lead, where?
In my mom's case, she did a fantastic job. She raised four well-rounded, smart boys on a public school teacher's salary. She's impressive. She was always there for us. She sacrificed for us constantly.
Mary's life was a perfect imitation of Jesus. She was humble, hidden, sorrowful and afflicted, but she also knew joys that never entered the heart of man. She is all things to all men that she might understand their failings, though she failed not.
She can kill with a smile. She can wound with her eyes. She can ruin your faith with her casual lies. And she only reveals what she wants you to see. She hides like a child, but she's always a woman to me.
I am in Deepak Ramsay's 'Koi Mere Dil Mein Hain,' where I am a modern girl who wears bold outfits. She makes heads turn wherever she goes. She is not a brat. She nurses this false belief that she can get any man she wants.
What madness! Yet she would do it, if she could force herself. She'd become, she believed, a stronger person: a willful, resolute. Like the man who adored her, reckless.
Over 18 years of us solving problems together, my daughter has shown me that she's got a good head on her shoulders, that she is pretty good at solving the problems that affect her life. If she wants my input, she gets it.
She was wearing the same clothes, but now she looked haggard and dirty. The delicate illusions that get us through life can only stand so much strain.
“Yes, the Gorgon has dried your tears,” he said. “Well, she opened my eyes too; it's a delusion to say that she blinds people. What she does is just the contrary — she fastens their eyelids open, so that they're never again in the blessed darkness.”
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