A Quote by Gong Hyo-jin
At first I thought the character Sun-young was a normal character, but later I realized that she is not after all. In some sense, she could be fierce.
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The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter. ...I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book.
Evanlyn smiled grimly as she thought how once she might have objected to the cruelty of the bird's death. Now, all she felt was a sense of satisfaction as she realized that they would eat well today. Amazing how an empty belly could change your perspective, she thought.
And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
Something I love about 'Teen Wolf' is that my character is written in as just a normal girl. She could have been any ethnicity; she doesn't have to be Asian.
In my books, women often solve the problem. Even if the woman is not the hero, she's a strong character. She does change the plot. She'll often rescue the male character from some situation.
My grandmother was probably the first person who I thought was beautiful. She was incredibly stylish, she had big hair, big cars. I was probably 3 years old, but she was like a cartoon character. She'd swoop into our lives with presents and boxes, and she always smelled great and looked great.
I do feel privileged to play Elektra, because definitely she is a strong female character. She's a strong character. It would be nice if eventually we'd just say she's a strong character, not a strong female character.
My grandmother was probably the first person who I thought was beautiful. She was incredibly stylish, she had big hair, big cars. I was probably 3 years old, but she was like a cartoon character.
As Lacy waited for her turn to speak on Peter's behalf, she thought back to the first time she realized she could hate her own child.
She was a keen observer, a precise user of language, sharp-tongued and funny. She could stir your emotions. Yes, really, that's what she was so good at - stirring people's emotions, moving you. And she knew she had this power...I only realized later. At the time, I had no idea what she was doing to me.
I loved 'Tin Cup' because even though that character had her own career and was strong, she was pretty confused. I think she was my favorite character because she was well-rounded. She didn't have it all together.
I liked the way my character, Shane, was first introduced. You get introduced to her through this sexual action, and I thought that was so cool and just kind of summed up what she enjoys and who she is, to a certain extent. She's a complete sexual being and the great thing is that she doesn't apologize for it. It's just who she is. We rarely see women be able to do that on television.
but she realized that she wanted him to know her. She wanted him to understand her, if only because she had strange sense that he was the kind of man she could fall in love with, even if she didn't want to.
If I was to pick a cartoon character I am most like, I would say Daisy Duck because she is very stubborn, she has a very feminine sense, and she knows what she likes.
What is extraordinary about the character of Edna - and I speak as though I am completely outside this character and I am talking to you - I'm, as it were, in the wings, and she's on stage, and every now and then she says something extremely funny, and I stand there and think: 'I wish I'd thought of that.'
In many of my plays, there was a kind of autobiographical character in the form of a son or young man. The purpose of it, of course, was to write about myself. That character was always the least fully realized. Eighteen years later, you realize, That's what he was about.
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