A Quote by Gong Hyo-jin

People in their early 20s would not be embarrassed to be completely dedicated to their significant others and would have such a passionate relationship. — © Gong Hyo-jin
People in their early 20s would not be embarrassed to be completely dedicated to their significant others and would have such a passionate relationship.
If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'what's the party going on right now that I should be going to?
If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
I have a daughter from a relationship I had in my late teens or early 20s. Because I felt it wasn't the kind of pukka behaviour my family or relatives would admit to, I denied it for many years.
I look for people who're passionate, dedicated to the text, and in whom I trust completely.
I am proud and embarrassed by how incredibly self-confident I was in my late teens and early 20s. I know that there were other things going on, too, but I had an overwhelming belief in myself. Like I said, I'm embarrassed by it and proud of it.
The artist-muse relationship is romantic and passionate, and complex, and I would imagine that would be a hard relationship to have if you're not with the person. It requires so much of each other, you have to be in love with each other.
I think that one of the things I'd learned from being so attentive to the careers of the people I've admired is the fact that they would say 'no' a lot. Early on, I took that as a cue to only work on things that I knew I would be passionate about.
Actors have a different kind of existence because they blow up over night into superstars in their early 20s. Let's say you were a superstar in your early 20s and somebody gave you millions of dollars, I mean come on. Let's be honest here, we don't know anything in our 20s.
In the early days of the Russian Revolution in 1917, I was completely in sympathy with it. I felt that it established a new era in the history of the modern world. I was so overwhelmed by it that, if people made any unfriendly comment, I would vigorously defend it. If people condemned the Communist party, I would speak in its defense.
I and others were mistaken early on in saying that the subprime crisis would be contained. The causal relationship between the housing problem and the broad financial system was very complex and difficult to predict.
In my early 20s, I studied history and politics, and I really thought that perhaps I would devote my life to that.
If you had asked me in my early 20s or in high school if I was going to wrestle, I would have laughed at you.
In my 20s, my mom and I went and saw the bridges of Madison County, which are in Iowa, and I had seen that movie with Clint Eastwood and Meryl Streep. I've always done these Iowa road trips. I did this transcendental meditation course in Fairfield, Iowa. So I've known since my early 20s that someday I would buy a farm in Iowa.
Maybe they would look at each other and feel some odd yearning, but neither of them would know why. They would want to stop, but they would be embarrassed, and neither would know what to say. They would go their separate ways. Who knew? Maybe that happened every day to people who'd once loved each other.
I dedicated my 20s, my passion and energy to the name 'Rain.' I always did my best, and I thought if I did, it would eventually show, and even if it didn't turn out well, I wouldn't have any regrets.
I always think I love work, and I knew early on that I wanted to be an actress. Then I meet people who have truly dedicated their lives to acting, and I realise that I'm so completely in the back seat.
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