A Quote by Gore Vidal

a writer must always tell the truth (unless he's a journalist) — © Gore Vidal
a writer must always tell the truth (unless he's a journalist)
You can't be both a writer and a politician, at least not a good writer. A writer must always tell the truth as he sees it. And the politician must never give the game away.
I was once a journalist. And I think of myself as a journalist, and that's it. You tell the truth. I even wrote a book called 'The Truth'.
I am old enough to think the word 'journalist' is not all that noble a designation. Journalist - that record keeper, quote taker and processor of press releases - was, in the world of letters I grew up in, a lower-down job. To be a writer - once the ambition of every journalist - was to be the greater truth teller.
As a journalist - or as a writer - my obligation is to come as close to the truth as I possibly can. And that's not as close to someone else's truth, but the truth as I see it.
Tell the truth as you understand it. If you're a writer, you have a moral obligation to do this. And it is a revolutionary act - truth is always subversive.
Who does not know history's first law to be that an author must not dare to tell anything but the truth? And its second that he must make bold to tell the whole truth? That there must be no suggestion of partiality anywhere in his writings? Nor of malice?
If you're a journalist - and I think, on some level, I'm a journalist, and proud to be a journalist, or a documentarian, however you want to describe it - part of what I do has to be the pursuit of the truth.
I don't believe a poet has a better hold on truth or morality than a fiction writer has. And I don't think a fiction writer has anything over a journalist. It's all about the good word, properly inserted.
Unless a writer is extremely old when he dies, in which case he has probably become a neglected institution, his death must always be seen as untimely. This is because a real writer is always shifting and changing and searching. The world has many labels for him, of which the most treacherous is the label of Success.
The Kafka paradox: art depends on truth, but truth, being indivisable, cannot know itself: to tell the truth is to lie. thus the writer is the truth, and yet when he speakes he lies.
A writer is first and foremost a witness of her time. She must tell the truth, not take a political position. But then the truth that she discovers is profoundly political.
You need not tell all the truth, unless to those who have a right to know it; but let all you tell be truth.
The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.
I am a regular writer in Mexico, and I always tell the truth in my writings.
If you're a drama writer, obviously you always have to tell the truth; there's no element of fiction in at all.
If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.
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