A Quote by Gore Vidal

To prevent the theft of 'Ben-Hur's sets, guards were prowling the back lot long after production had been shut down. — © Gore Vidal
To prevent the theft of 'Ben-Hur's sets, guards were prowling the back lot long after production had been shut down.
When Star Wars became a hit and I had a chance to make the other movies, I had to figure out a way to bring Ben back, but a lot of the issues he had to deal with were carried by Yoda. In a sense, I combined Yoda with the spirit of Ben. I wanted Ben to have some kind of influence, but I didn't want it to be a direct influence where he could help Luke. So Ben has managed to keep his identity after he became one with the Force. One of the things he was doing on Tatooine besides watching over Luke was learning how to keep his identity after he became part of the Force.
Ben Hur, who said to his sister Ben Him, We'd better swap names before they start calling me Ben Gay! Never got a dinner!
The first movie I saw - and I don't know if it influenced me - was Ben Hur. We watched it outside in a corn field, and it ran backwards. So the first movie I ever saw was Ben Hur, backwards.
The first movie I saw - and I don't know if it influenced me - was Ben Hur. We watched it outside in a corn field, and it ran backwards, so the first movie I ever saw was Ben Hur backwards.
You can be sure that they'll be showing 'Ben-Hur' somewhere for a long, long time to come.
During the late '50s, I had worked on the script of Ben-Hur in an office next to that of the producer Sam Zimbalist.
I fell in love with 'Ben Hur' when I was 8 years old, and I just knew I had to be involved in movies, even if I was the guy who melted the butter on the popcorn.
A lot of the factories that had been the bedrock of many small cities were being shut down, which led me to investigate what I'm calling the 'de-industrial revolution.'
The first movie I saw - and I don't know if it influenced me - was 'Ben Hur'.
The time between appearances for us is so great that we lose track of it. It would be like watching 'Ben Hur' at one frame a second. There would be long periods of time where absolutely nothing was going on.
What happened with Final Destination was that the movie was in post-production for a long time and I think they changed a lot of the deaths, so a lot of those things were last-minute additions. Everything we shot is in the movie and it's all been designed. We didn't change anything. It's been a year of making those things happen, exactly as we had pictured them.
I've got a sweater." Ben pulled off his coat and held it out for her. "Here." "Thanks, Ben. It's lovely and warm." Then she said, "Ben, I-- I can tell you how I feel about-- about everything. I think you're the best friend I've ever had. I-- I'd lie down and die for you if you wanted me to." "Honey," Ben said. "When I get you to lie down for me it won't be to die.
The people of Mississippi can't just go home, shut down their small business, shut down their restaurants, shut down their gyms... and just think that you can come back six weeks from now, flip a switch and everything's gonna be fine. That's not the way the economy works.
Prowling the meanings of a word, prowling the history of a person, no use expecting a flood of light. Human words have no main switch. But all those little kidnaps in the dark. And then the luminous, big, shivering, discandied, unrepentant, barking web of them that hangs in your mind when you turn back to the page you were trying to translate.
Where the foreign exchange is not available, we are cutting down our operations. For example, we had a vegetable oil refinery; we have shut it down. We had a tomato-based processing plant; we have shut it down.
I suddenly had an idea of how adults can hold on to a feeling for very long periods of time, long after the event is finished, long after cards have been sent and apologies made and everyone else had moved on. Adults were pack rats of old, useless emotions
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