A Quote by Gord Downie

I had spend a lot of time looking at things intellectually, coming from the head, let's say, rather than the heart, and saying things that way. Turns of phrases became paramount to any kind of feeling behind them, which is not to say they were all devoid of that.
People say a lot of hurtful things, but in a way, the abuse that I endured from my husband prepared me for that. The things I had been told and drilled into my head from him were worse than what anybody could say to me.
Don't say I hate institutionalised religion - rather than saying I hate those things, which I do not, what I'm saying is that perhaps there is a way of opening more doors, rather than closing so many.
I was always cutting dialogue out when we were rehearsing, and when I produced movies, too. I felt that people don't say things in life - they act, they do things. I always wanted my characters doing, rather than saying what they were doing - which was redundant.
I'm pretty self-conscious, so I tend to work in a way where I say what I need to say and get out rather than revisit things. It's kind of a collage style. I realized that it had more emotional weight that way. I'll always be in the developmental stages as far as being a songwriter.
I didn't like what was on TV in terms of sitcoms?it had nothing to do with the color of them?I just didn't like any of them. I saw little kids, let's say 6 or 7 years old, white kids, black kids. And the way they were addressing the father or the mother, the writers had turned things around, so the little children were smarter than the parent or the caregiver. They were just not funny to me. I felt that it was manipulative and the audience was looking at something that had no responsibility to the family.
J.C. [Chandor] was the kind of energy we were looking for, so we decided to get behind it with all of our effort. That was the beginning of our relationship with first-time feature directors, and that's when it became really important to us, watching them thrive and grow in a creative environment in which you can do that was really key. Also his work checked all the boxes, because it was socially relevant and intellectually driven, and creatively exciting.
I spend a lot of time apologizing for the things I say when I am hungry. That's why breakfast, for me, is non-negotiable. It's an insurance policy against saying things I'll regret before my blood-sugar levels have stabilized.
I say, “You may be right, but don’t knock it until you’re tried it. Don’t say, ‘I think it’s worthless; therefore I’m not going to spend any time looking into myself the way one who prays does.'” Maybe that’s an even worse mistake than praying might be.
The most important things are the hardest things to say. They are the things you get ashamed of, because words diminish them - words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
You know, we spend so much of our lives not saying the things we want to say. The things we should say. We speak in code, we send little messages. Origami. So now, plainly, simply. I want to say that I love you both.
I became an electrician after high school. But I always had this thing in me to write. But it was always a little shameful. To say you were a poet was saying you were kind of crazy, and I carried that around for a long time. I still kind of carry that. And I think it might be true, actually.
I appreciate the few people who say nice things about me and say, 'Gee, you were right about this,' or, 'You were right about that.' But frankly, I spend my time looking ahead. I've got 23 grandkids, and I'm concerned about what their world is going to be like.
It's not the norm when creators have any protections with regards to creative control. And so it took some time, I think, for the strip to gain enough popularity where I had enough leverage to come in and say, "It has to be done in a certain way or it's not going to be done at all," and then have people willing to put up with that who were ultimately paying for it. You know, for them to be willing to kind of concede those kind of things. It just takes time, you know?
It's amazing the things you realize when you lose someone: you get mad at yourself for not saying the things you could've a million times, you take for granted the days spent doing nothing when you could have been with them. Anyone can be taken, at any time in our lives, but we always wait until they're gone to say the things we never had the courage to before.
I don't find a lot of people actually saying things through music any longer. They are not trying to say anything with their music, they just want to make money with it. I think it's important to actually say something real, something meaningful, rather than just write some trash and try to sell it.
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